'Shanshui City', the latest book from MAD Architects' founder and principal partner, Ma Yansong, Ma's poetic, yet precise language details the development and practice of design philosophy At the core of 'Shanshui City' is the idea that, "architects should delineate a new ideal for the city of the future, to gradually construct an urban environment that embodies both the convenience of the modern city and the ancient Eastern affinity for the natural world." 'Shanshui' is an idealised worldview developed by Chinese through extended contact with the natural world, a worldview that integrates the everyday life of humanity with the impulse to seek spiritual refuge in nature. This 'Shanshui City' is not simply an eco-city, or a garden-city, nor does it imply modelling the city's architecture on natural forms such as mountains. It represents humanity's affinity for the natural world, and our quest for inner fulfilment, as expressed in philosophies of the East. 103 illustrations

The first complete overview of the most important contemporary architecture practice ever to have emerged from China The skylines of modern China are punctuated by architecture that amazes, inspires, and awes. Many of these structures are the work of new, experimental practices like China-based MAD Architects. MAD Works not only documents the buildings of this group of avant-garde architects but also traces the development of their ideas through associated practice including art, research, and exhibition projects. Organized thematically, the book explores the underlying concepts of MAD Architects' work. MAD Works is illustrated with photographs, architectural drawings, and 3D visualizations to provide a thorough exploration of MAD Architect's international portfolio of completed works, unbuilt projects, and future ideas.

China’s rapid urbanization has restructured the great socialist cities Beijing, Shanghai, and Guangzhou into mega cities that embrace global capitalism. This book focuses on the urban transformations of these three cities: Beijing is the nation’s political and cultural capital; Shanghai is the economic and financial powerhouse; and Guangzhou is the capital of Guangdong Province and the regional center of south China. All are historical cities with rich imperial, colonial, and regional heritages, and all have been drastically transformed in the last six decades. This book examines the cities’ continuous urban legacies since 1949 in relation to state governance, economic reforms, and cultural production. By adopting local historical perspectives, it offers more nuanced accounts of the current urban change than the modernization/globalization paradigm and conceptualizes the change in the context of the cities’ socialist, colonial, and imperial legacies. Specifically, Samuel Y. Liang offers an overview of the urban planning and territorial expansion of the great cities since 1949; explores the production and consumption of urban housing, its spatial forms, media representations, and socio-political implications; and examines the state-led redevelopment of old urban cores and residential neighborhoods, and the urban conservation movement. Remaking China’s Great Cities will be of great interest to students and scholars working across a range of fields including Chinese studies, Chinese culture and society, urban studies and architecture.

The book is the first to define the meaning and components of the grid and apply it in Chinese planning history. It provides a fresh methodology, pushing the boundary of planning by this new practical tool for planners and governors and new perspective for the architecture and city planning faculties. From graphs to rules, from facts to in-depth analysis, this book focuses on the tool of urban planning, the grid, with thoughtful organization of knowledge from Chinese history, architecture and city planning discipline, providing knowledge along with politics, military, customs, mysterious Fengshui theories and astrology beliefs. Moreover, the book proved the link between grids and social aims, discussing each kind of aim by thoughtful organization of data collected from 301 prefecture cities, unfolding the powers propelling the city formation and shedding light on what shaped our cities today.

In China, 1% of the world's architects have to design 50% of all the buildings and must do so for 15% of the profit. This extreme situation in which architects have to operate, design and build, creates the theoretical basis for 'The Condition of Chinese Architecture'. In addition to interviewing the critical voices of contemporary Chinese architecture, the authors report the nowadays reality of the country, the architectural evolution since the first contacts with the West in 1582 and the issues affecting its contemporary practice. The result is a groundbreaking, cumulative reckoning teased out through layers of personal accounts and cross-disciplinary research, drawing on architecture, aesthetics, philosophy, politics, and society. © 2018 TCA Think Tanktcathinktank.com'The Condition of Chinese Architecture'Pier Alessio RizzardiZhang HankunContributing AuthorsLi XiangningHarry den HartogRory StottCharlie Q. L. XueIntervieweesChang Yong Ho, Atelier FCJZLiu Jiakun, Jiakun ArchitectsMa Yansong, MAD architectsLiu Xiaodu, URBANUS Architecture & DesignZhang Ke, Zao/StandardarchitectureQi Xin, Qi Xin Architects and EngineersChen Yifeng, Atelier DeshausRocco Yim, ROCCO Design Architects LimitedLi Xiaodong, Li Xiaodong AtelierLi Hu, OPEN ArchitectureZhang Lei, AZL Atelier ZhangleiZhang Bin, Atelier Z+Zhu Pei, Studio Pei-ZhuXu Tiantian, DnA Design and ArchitectureLiu Yuyang, LYA Atelier Liu Yuyang ArchitectsLu Wenyu, Amateur Architecture

The secretary, Gu Yuwei, unexpectedly got to know the top figure of the Jiangyou Group, Zhao Muchen. Zhao Mu Chen was handsome and wise, which made Gu Yu Wei fall in love with him. He fell in love with her from then on. Amidst the entanglement and reality attacks of the secular world, she wanted to retreat time and time again, but each time she fell deeper into the abyss ... Could their love reach the end?

In order to leave the village, the village teacher, Gu Liqing, had abandoned her boyfriend of six years and had quickly married a rich second generation. However, on their wedding night, they discovered that he couldn't do it at all, and what was even worse, a month later, she discovered that she was pregnant ...