In this fascinating book, Catherine Yeh explores the Shanghai entertainment world at the close of the Qing dynasty. Established in the 1850s outside of the old walled city, the Shanghai Foreign Settlements were administered by Westerners and so were not subject to the strict authority of the Chinese government. At the center of the dynamic new culture that emerged was the courtesan, whose flamboyant public lifestyle and conspicuous consumption of modern goods set a style that was emulated by other women as they emerged from the "inner quarters" of traditional Chinese society. Many Chinese visitors and sojourners were drawn to the Foreign Settlements. Men of letters seeking a living outside of the government bureaucracy found work in the Settlements’ burgeoning print industry and formed the new class of urban intellectuals. Courtesans fled from oppressive treatment and the turmoil of uprisings elsewhere in China and found unprecedented freedom in Shanghai to redefine themselves and their profession. As the entertainment industry developed, publications sprang up to report on and promote it. Journalists and courtesans found that their interests increasingly coincided, and the Settlements became a cosmopolitan playground. Ritualized role-play based on novels such as Dream of the Red Chamber elevated the status of courtesan entertainment and led to culturally rich interactions between courtesans and their clients. As participants acted out the stories in public, they introduced modern notions of love and romance that were radically at odds with the traditional roles of men and women. Yet because social change arrived in the form of entertainment, it met with little resistance. Yeh shows how this fortuitous combination of people and circumstances, rather than official decisions or acts, created the first multicultural modern city in China. With illustrations from newspapers, novels, travel guides, and postcards, as well as contemporary written descriptions of life in foreign-driven, fast-paced, cutting-edge Shanghai, this study traces the mutual influences among courtesans, intellectuals, and the city itself in creating a modern, market-oriented leisure culture in China. Historians, literary specialists, art critics, and social scientists will welcome this captivating foray into the world of late nineteenth-century popular culture.

Shanghai Love is a gripping novel about the unlikely love story that develops between Peilin, a Chinese herbalist, and Henri, a Jewish refugee in Shanghai during World War II. It's a classic story of love's triumph over adversity.

A WWII saga in the heart of the world's most decadent city in 1936. Enter the Paris of the East, where one man and one woman strive to hold on to their dreams as the Communists rise and the shadow of Japan closes in. His country stood on the verge of a new beginning and the gate of hell. The Kuomintang promises the dawn of democracy, but the Communists threaten civil war while Japan's unbridled ambitions loom. All Clark Yuan wants is to see his fellow countrymen's lives improve. He joins the KMT, hoping to play his part to make China a better place. He vows to Eden, the beautiful Jewish girl he admires from afar, Shanghai would be her forever home. But power and money are at stake. The line of good and evil shifts. To achieve his ends, he must bargain with the devils. How much of his soul would he sacrifice to reach the greater good? * Fleeing the rise of the Nazis, Eden Levine came with her family to Shanghai, hoping to build a new life. The dazzling city made her swoon. From the pinnacle of luxury, big band jazz, to a safe haven for Jewish refugees, the country that turns no one away is the beacon of hope. But behind the glitz and glamour, the darkness of human nature lurks. A heinous crime shocks the international community. Would she defend an innocent Nazi soldier and risk the ire of her own people? With only her new friend Clark by her side, could she defy the clutch of racial strife to see justice prevail? "I dream of a day when all nations' flags would fly in unity of peace. I dream of a world where no law or human divide would stop two people from falling in love." - - - From the author of the Rose of Anzio series, don't miss this sweeping WWII tale of love, loss, and hope during one of the world's darkest hours.

A woman who spent more than six years in solitary confinement during Communist China's Cultural Revolution discusses her time in prison. Reissue. A New York Times Best Book of the Year.

2021 Next Generation Indie Book Award Finalist The sweeping, multigenerational story of two iron-willed women, a grandmother and granddaughter, Unbound is also a richly textured, turbulent portrait of the city of Shanghai in the twentieth century—a place where everyone must fight to carve out a place for themselves amid political upheaval and the turmoil of war. ​Mini Pao lives with her sister and parents in a pre-war Shanghai divided among foreign occupiers and Chinese citizens, a city known as the “Paris of the East” with its contrast of vibrant night life and repressive social mores. Already considered an old maid at twenty-three, Mini boldly rejects the path set out for her as she struggles to provide for her family and reckons with her desire for romance and autonomy. Mini’s story of love, betrayal, and determination unfolds in the Western-style cafes, open-air markets, and jazz-soaked nightclubs of Shanghai—the same city where, decades later, her granddaughter Ting embarks on her own journey toward independence. Ting Lee has grown up behind an iron curtain in a time of scarcity, humility, and forced-sameness in accordance with the strictures of Chairman Mao’s cultural revolution. As a result, Ting’s imagination burns with curiosity about fashion, America, and most of all, her long-lost grandmother Mini’s glamorous past and mysterious present. As her thirst for knowledge about the world beyond 1970s Shanghai grows, Ting is driven to uncover her family’s tragic past and face the difficult truth of what the future holds for her if she remains in China.

In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories, artifacts, and gossip—Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their recent demolition, they were nestled in Shanghai's labyrinthine alleyways, which housed more than half of the city's population from the Sino-Japanese War to the Cultural Revolution. Through interviews with her own family members as well as their neighbors, classmates, and co-workers, Li weaves a complex social tapestry reflecting the lived experiences of ordinary people struggling to absorb and adapt to major historical change. These voices include workers, intellectuals, Communists, Nationalists, foreigners, compradors, wives, concubines, and children who all fought for a foothold and haven in this city, witnessing spectacles so full of farce and pathos they could only be whispered as secret histories.