Illustrated for those who believe that a picture is worth a thousand insults, Shakespeare's Insults for Lawyers offers over 190 of the funniest, most offensive remarks targeted toward the legal profession, including ready insults for clients to give to lawyers on counsel and advice, trial performance, and legal fees; and for lawyers to use on clients on threatening legal action, verdicts and sentences, and clients from hell. Hill and Ottchen even cull quotations for particular flaws found in all lawyers in categories that include verbose, tricky, incompetent, and vain.

The Anatomy of Insults in Shakespeare's World explores Shakespeare's complex art of insults and shows how the playwright set abusive words at the heart of many of his plays. It provides valuable insights on a key aspect of Shakespeare's work that has been little explored to date. Focusing on the most memorable scenes of insult, abusive characters and insulting effects in the plays, the volume shifts how readers understand and read Shakespeare's insults. Chapters analyze the spectacular rhetoric of insult in Henry IV, Troilus and Cressida and Timon of Athens; the 'skirmishes of wit' in Much Ado about Nothing and A Midsummer Night's Dream; insult and duelling codes in Romeo and Juliet, As You Like It and Twelfth Night, the complex relationships between slander and insult in Much Ado about Nothing and Measure for Measure; the taming of the tongue in Richard III and The Taming of the Shrew, the trauma of insults in Othello, The Merchant of Venice and Cymbeline and insult beyond words in Henry V and King lear. Grasping insult as a specific speech act, the volume explores the issues of verbal violence and verbal shields and the importance of reception and interpretation in matters of insult. It offers a panorama of the Elizabethan politics of insult and redefines Shakespeare's drama as a theatre of insults.

Patients looking to vent their spleen on their doctors, and doctors eager to do the inverse, in verse, will find all the bilious verbal abuse they need in this compendium of insults from Shakespeare, who knew, apparently, that sometimes invective is the best medicine. 20 line illustrations.

Office politics--the uses of verbal infective to survive in business--is yet another field in which Shakespeare was master. Quill pens and disk drives may come and go, but bosses, underlings, clients and competitors are universal throughout the ages. Here's a sampling of barbs from the bard that each of us can use to convey the warmth of our feelings for others. 20 line illustrations.

Why are certain words used as insults in Shakespeare's world and what do these words do and say? Shakespeare's plays abound with insults which are more often merely cited than thoroughly studied, quotation prevailing over exploration. The purpose of this richly detailed dictionary is to go beyond the surface of these words and to analyse why and how words become insults in Shakespeare's world. It's an invaluable resource and reference guide for anyone grappling with the complexities and rewards of Shakespeare's inventive use of language in the realm of insult and verbal sparring.

Having a problem with a lazy student? Forget detention--tell him how you really feel: "Your brains are useless, boil'd within thy skull." Tired of your teacher's boring, pointless lectures? Raise your hand and comment that "Your reasons are as two grains of wheat hid in two bushels of chaff: you seek all day ere you find them, and when you have them, they are not worth the search." Full of schoolroom slings, digs, and retorts, Shakespeare's Insults for Teachers is better ammunition than a spitball--and hey, you're learning something!

The sharpest stings ever to snap from the tip of an English-speaking tongue are here at hand, ready to be directed at the knaves, villains, and coxcombs of the reader's choice. Culled from 38 plays, here are the best 5,000 examples of Shakespeare's glorious invective, arranged by play, in order of appearance, with helpful act and line numbers for easy reference, along with an index of topical scorn appropriate to particular characters and occasions.