A study of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. This revised and expanded second edition presents new evidence and furthers the argument that the annotations were written by William Shakespeare. This ebook contains text in color, and images. We recommend reading it on a device that displays both.

A brilliantly original debut about a love affair cut short, and how lonely it is to live inside a secret -- for fans of Sally Rooney, Sheila Heti, and Ottessa Moshfegh. Ana Kelly can deal with death. As an estate lawyer, an unfortunate part of her day-to-day is phone calls from the next of kin informing her that one of her clients has died. But nothing could have prepared Ana for the call from Rebecca Taylor, explaining in a strangely calm tone that her husband Connor was killed in an accident. Ana had been having an affair with Connor for three years, keeping their love secret in hotel rooms, weekends away, and swiftly deleted text messages. Though consuming, they hide their love well, and nobody knows of their relationship except Mark, Connor's best friend. Alone and undone, Ana seeks friendship with the person who she once thought of as her adversary and opposite, but who is now the only one who shares her pain -- Rebecca. As Ana becomes closer to her lover's widow, she is forced to reconcile painful truths about the affair, and the fickleness of love and desire. Funny, frank, and strange, Sarah Crossan's moving novel is wholly original and deeply resonant.

This book examines apian imagery--bees, drones, honey, and the hive--in the seventeenth- and eighteenth-century literary and oral traditions. In England and the New World colonies during a critical period of expansion, the metaphor of this communal society faced unprecedented challenges even as it came to emblematize the process of colonization itself. The beehive connected the labor of those marginalized by race, class, gender, or species to larger considerations of sovereignty. This study examines the works of William Shakespeare; Francis Daniel Pastorius; Hopi, Wyandotte, and Pocasset cultures; John Milton; Hester Pulter; and Bernard Mandeville. Its contribution lies in its exploration of the simultaneously recuperative and destructive narratives that place the bee at the nexus of the human, the animal, and the environment. The book argues that bees play a central representational and physical role in shaping conflicts over hierarchies of the early transatlantic world.

An examination of a heavily annotated copy of John Baret's "An Alvearie, or, Quadruple Dictionarie," published in 1580, which, the authors speculate, may have been owned and annotated by William Shakespeare.

A complete recording of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. Data only. Supplement to a website and another publication, SHAKESPEARE'S BEEHIVE: AN ANNOTATED ELIZABETHAN DICTIONARY COMES TO LIGHT, by George Koppelman and Daniel Wechsler (2014).

This book provides a sustained, formalist reading of the multiple body parts that litter the dialogue and action of Shakespeare's history plays.

This book studies Shakespeare's changing vision of Rome in the six works where the city serves as a setting. Unlike other scholars treatment, the subject Dr Miola offers a coherent analysis of all the major appearances of Rome in the Shakespeare canon. Shakespeare's recurrent and varied treatment of Rome suggests that a close examination of the city's transformations can teach us much about his development as a playwright and the development of his dramatic vision. The book focuses on Shakespeare's changing conception of the Roman city, its people, and its ideals. Dr Miola examines the symbolic and topographical features that help define the city.