This book explores the impact of the sixteenth-century Reformation on the plays of William Shakespeare. Taking three fundamental Protestant concerns of the era – (double) predestination, conversion, and free will – it demonstrates how Protestant theologians, in England and elsewhere, re-imagined these longstanding Christian concepts from a specifically Protestant perspective. Shakespeare utilizes these insights to generate his distinctive view of human nature and the relationship between humans and God. Through in-depth readings of the Shakespeare comedies ‘The Merry Wives of Windsor’, ‘Much Ado About Nothing’, ‘A Midsummer Night’s Dream’, and ‘Twelfth Night’, the romance ‘A Winter’s Tale’, and the tragedies of ‘Macbeth’ and ‘Hamlet’, this book examines the results of almost a century of Protestant thought upon literary art.

This volume explores the influences of Catholicism and Protestantism in a trio of Shakespeare's tragedies: Julius Caesar, Macbeth, and Hamlet. Bypassing the discussion of Shakespeare's personal religious beliefs, Batson instead focuses on distinct footprints left by Catholic and Protestant traditions that underlie and inform Shakespeare's artistic genius.

This ground breaking and accessible study explores the connections between the English Reformation's impact on the belief in eternal salvation and how it affected ways of believing in the plays of Shakespeare. Claire McEachern examines the new and better faith that Protestantism imagined for itself, a faith in which scepticism did not erode belief, but worked to substantiate it in ways that were both affectively positive and empirically positivist. Concluding with in-depth readings of Richard II, King Lear and The Tempest, the book represents a markedly fresh intervention in the topic of Shakespeare and religion. With great originality, McEachern argues that the English reception of the Calvinist imperative to 'know with' God allowed the very nature of literary involvement to change, transforming feeling for a character into feeling with one.

The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Poems: Shakespeare contains selections from Shakespeare's work, including his sonnets, his narrative poems Venus and Adonis and The Rape of Lucrece, songs and speeches, and an index of first lines.

He is the greatest writer in the English language-perhaps in any language-and here, in one compact volume is all the verse even many of those familiar with his plays have never read. In 1593 and 1594, while English theaters were closed in response to the plague, WILLIAM SHAKESPEARE (1564-1616) turned from drama to narrative poems, and published the dyad "Venus and Adonis" and "The Rape of Lucrece," erotic meditations on lust and sexual power. Standing powerfully in opposition to each other, they also differ wildly from Shakespeare's romantic sonnets-all 154 of them are here. Also in this hard-to-find collection are the Bard's lesser known poems: "A Lover's Complaint," "The Passionate Pilgrim," "Sonnets to Sundry Notes of Music," and "The Phoenix and the Turtle." Rounding out the collection are poems from his plays, featuring beloved excerpts from The Tempest, Two Gentlemen of Verona, Twelfth Night, Merry Wives of Windsor, Much Ado About Nothing, A Midsummer Night's Dream, Love's Labour's Lost, The Merchant of Venice, As You Like It, The Taming of the Shrew, and others. Not an academic work, this lovely volume lets Shakespeare's words stand on their own, resounding-as ever they do-with their own unique power and beauty.

Introduces the poetry of William Shakespeare through a sampling of sonnets and excerpts from his plays.