What has been the role played by principles, patterns and situations of conflict in the construction of Shakespeare's myth, and in its European and then global spread? The fascinatingly complex picture that emerges from this collection provides new insight into Shakespeare's unique position in world literature and culture.

Conflict is at the heart of much of Shakespeare’s drama. Frequently there is an overt setting of violence, as in Macbeth, but, more significantly there is often ‘interior’ conflict. Many of Shakespeare’s most striking and important characters – Hamlet and Othello are good examples – are at war with themselves. Originally published in 1987, S. C. Boorman makes this ‘warfare of our nature’ the central theme of his stimulating approach to Shakespeare. He points to the moral context within which Shakespeare wrote, in part comprising earlier notions of human nature, in part the new tentative perceptions of his own age. Boorman shows Shakespeare’s great skill in developing the traditional ideas of proper conduct to show the tensions these ideas produce in real life. In consequence, Shakespeare’s characters are not the clear-cut figures of earlier drama, rehearsing the set speeches of their moral types – they are so often complex and doubting, deeply disturbed by their discordant natures. The great merit of this fine book is that it displays the ways in which Shakespeare conjured up living beings of flesh and blood, making his plays as full of dramatic power and appeal for modern audiences as for those of his own day. In short, this book presents a human approach to Shakespeare, one which stresses that truth of mankind’s inner conflict which links virtually all his plays.

What has been the role played by principles, patterns and situations of conflict in the construction of Shakespeare's myth, and in its European and then global spread? The fascinatingly complex picture that emerges from this collection provides new insight into Shakespeare's unique position in world literature and culture.

The enduring appeal of Shakespeare's works derives largely from the fact that they contain brilliantly drawn characters. Interpretations of these characters are products of changing modes of thought, and thus past explanations of their behavior, including Shakespeare's, no longer satisfy us. In this work, Bernard J. Paris, an eminent Shakespearean scholar, shows how Shakespeare endowed his tragic heroes with enduring human qualities that have made them relevant to people of later eras.Bargains with Fate employs a psychoanalytic approach inspired by the theories of Karen Horney to analyze Shakespeare's four major tragedies and the personality that can be inferred from all of his works. This compelling study first examines the tragedies as dramas about individuals with conflicts like our own who are in a state of crisis due to the breakdown of their bargains with fate, a belief that they can magically control their destinies by living up to the dictates of their defensive strategies.Filled with bold hypotheses supported by carefully detailed accounts, this innovative study is a resource for students and scholars of Shakespeare, and for those interested in literature as a source of psychological insight. The author's combination of literary and psychoanalytic perspectives guides us to a humane understanding of Shakespeare and his protagonists, and, in turn, to a more profound knowledge of ourselves and human behavior.

Shakespeare and Civil Unrest in Britain and the United States extends the growing body of scholarship on Shakespeare’s appropriation by examining how the plays have been invoked during periods of extreme social, political, and racial turmoil. How do the ways that Shakespeare is adapted, studied, and discussed during periods of civil conflict differ from wars between nations? And how have these conflicts, in turn, affected how Shakespeare has been understood in these two countries that, more than any others, continue to be deeply shaped by Shakespeare’s complex, enduring, and multivalent legacy? The essays in this volume collectively disclose a fascinating genealogy of how Shakespeare became a dynamic presence in factional discourse and explore the "war of words" that has accompanied civil wars and other instances of domestic disturbance. Whether as part of violent confrontations, mutinies, rebellions, or within the universal struggle for civil rights, Shakespeare’s repeated appearance during such turbulent moments is more than mere historical coincidence. Rather, its inflections on the contested meanings of citizenship, community, and political legitimacy demonstrate the generative influence of the plays on our understanding of internecine strife in both countries.

This book examines the intersection between art and culture and explains how ideas about age circulated in Early Modern England.