As the age of the silent film dawns, a mysterious filmmaker approaches the Penny Dreadful with a proposal to turn Montgomery Flinch's sinister stories into motion pictures. With Monty starring in the production, filming begins but is plagued by a series of strange and frightening events. As Monty pleads with Penelope to help him, she is drawn into the mystery, but soon finds herself trapped in a nightmare penned by her own hand. Can Penelope uncover the filmmaker's dark secret in time?

Step into the past in this spine-tingling historical adventure from award-winning author Christopher Edge. Penelope Tredwell is the feisty thirteen-year-old orphan heiress of the bestselling magazine, The Penny Dreadful . Her masterly tales of the macabre are gripping Victorian Britain, even if no one knows she's the author. One day a mysterious filmmaker approaches The Penny Dreadful with a proposal to turn their sinister stories into motion pictures. Filming begins but is plagued by a series of strange and frightening events. As Penelope is drawn into the mysteries surrounding the filming she soon finds herself trapped in a nightmare penned by her own hand... Can Penny uncover the filmmaker's dark secret before it's too late? Spine-tingling historical adventure series with a supernatural twist! From the acclaimed author of The Many Worlds of Albie Bright and The Infinite Lives of Maisie Day . Related discussion notes and activity ideas available on the Nosy Crow website.

Penelope Tredwell is the feisty thirteen-year-old orphan heiress of Victorian Britain's bestselling magazine, the Penny Dreadful. Her spine-chilling tales—concealed under the pen name Montgomery Finch—are gripping the public. One day she receives a letter from the governor of the Bedlam madhouse requesting Finch's help to investigate the asylum's strange goings-on. Every night at precisely twelve minutes to midnight, the inmates all begin feverishly writing-incoherent ramblings that Penelope quickly realizes are frightening visions of the century to come. But what is causing this phenomenon? In the first book of this smart new series, Penelope is drawn into a thrilling mystery more terrifying than anything she could ever imagine!

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature.

A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.

Penelope Tredwell, the pen behind bestselling author, Montgomery Flinch, is cursed with writer's block. She needs a sensational new story or her magazine, the Penny Dreadful, will go under. So when a mysterious letter arrives, confessing to the impossible crime of stealing the Crown Jewels just days before the King's coronation, Penelope thinks she has found a plot to enthrall her readers, until the police charge Montgomery Flinch with the theft of the jewels. Can Penelope solve the mystery, restore the jewels, rescue Monty, save the magazine, and keep the true identity of Montgomery Flinch a secret?