"Shadows on the Wall: Deterrence and Disarmament examines and contrasts the three alternative philosophical positions about the nature of the international system and patterns of human behavior that underlie three competing narratives seen in U.S. public debate regarding nuclear deterrence and disarmament. For over six decades, these three competing narratives, built on contrary philosophical traditions, have been the basis for contending positions regarding U.S. nuclear policy-ranging from advocacy for complete global nuclear disarmament to advocacy for the maintenance of robust U.S. nuclear capabilities for deterrence. Each of these three different narratives is based on different speculative expectations about developments in the international system and future patterns of human behavior. Given the inherent uncertainties about future developments in the international system and human behavior, none of these narratives can be deemed to objectively correct, or certainly wrong. They may, nevertheless, be judged to entail different levels of prudence for U.S. and allied security"--

A terrible tragedy devastates Jackson Fitzgerald’s world: the murder of his wife brings him close to insanity. Accompanied by friends, he undertakes one last effort to reshape his life in a journey that brings him to Glendale Plantation. But there he is tormented by memories and visions of his lost love. Paranormal events make inner peace seem out of reach when mysterious characters enter his life. As the secrets of Glendale unfold, a supernatural war is fought which threatens to bring Jackson to collapse. Shadows is a captivating story that offers scenes of exceptional suspense, attractive mystery and the challenging quest for inner peace.

The rise of the modern Middle East from the ashes of the Ottoman Empire.

A terrible tragedy devastates Jackson Fitzgerald's world: the murder of his wife brings him close to insanity. As the secrets of Glendale Plantation unfold, a supernatural war threatens to bring about his collapse.

Eve Erixour is a mercenary with a past no one would envy and more enemies than anyone should have. Death stalks her relentlessly. So when she gains the attention of a League assassin, she considers it par for the course. But Jinx Shadowbourne isn’t after Eve. Someone has it in for him and his brethren. High-ranking assassins are falling, and Jinx is convinced one of their own is selling them out. He’s on the trail of his key suspect when fate throws him headfirst into Eve’s life. Now the two of them have to find the League leak and plug it or neither one of them will live to face another enemy, and the ones they love, and the universe at large, will be left alone to face a power-crazed madman.

Book Delisted

A critical introduction to how the Nagasaki atomic bombing has been remembered, especially in contrast to that of Hiroshima. In the decades following the atomic bombing of Nagasaki on August 9, 1945, the city’s residents processed their trauma and formed narratives of the destruction and reconstruction in ways that reflected their regional history and social makeup. In doing so, they created a multi-layered urban identity as an atomic-bombed city that differed markedly from Hiroshima’s image. Shadows of Nagasaki traces how Nagasaki’s trauma, history, and memory of the bombing manifested through some of the city’s many post-atomic memoryscapes, such as literature, religious discourse, art, historical landmarks, commemorative spaces, and architecture. In addition, the book pays particular attention to how the city’s history of international culture, exemplified best perhaps by the region’s Christian (especially Catholic) past, informed its response to the atomic trauma and shaped its postwar urban identity. Key historical actors in the volume’s chapters include writers, Japanese- Catholic leaders, atomic-bombing survivors (known as hibakusha), municipal officials, American occupation personnel, peace activists, artists, and architects. The story of how these diverse groups of people processed and participated in the discourse surrounding the legacies of Nagasaki’s bombing shows how regional history, culture, and politics—rather than national ones—become the most influential factors shaping narratives of destruction and reconstruction after mass trauma. In turn, and especially in the case of urban destruction, new identities emerge and old ones are rekindled, not to serve national politics or social interests but to bolster narratives that reflect local circumstances.