Long Shadows at Noon is a short collection of poetry and prose that addresses the richness and tragedies of life. Life has its many rewards that are often overshadowed by the pace at which modern life has captured our minds, time and attention. The shortest and darkest day of the year is the winter solstice that occurs on the 21st of December. This dark period often seems to sneak up on us with little notice or warning and we find ourselves longing for more pleasant times. Often we reflect during the deepest days of darkness on how we let another year slip through our fingertips without enjoying the recently departed summer and autumn. Life is similar. During the dark periods of our lives we often look back at happier times and long for their return. During these dark days of the solstice and of life we must remember that each new day is a little brighter and warmer. Better times are ahead and life is far too sweet not to enjoy. Unlike other poetry books Long Shadows proceeds each poem with a short essay as to its nature and motivation for being written. Life, death, love and passion are addressed in various styles and forms. Both the simplicities and entanglements of living from a man´s perspective are brought forth with an emphasis on taking a truthful and deep exploration of the soul.

Nobel Prize winner Elie Wiesel praised SHADOWS AT NOON as "a moving & important contribution." Karen Nagel of the New York City Opera called it "the most three-dimensional book on the Holocaust I've ever read...a delicate, personal look at a heavy, serious subject." The multi-layered narrative is appropriate for ages 10 through adult. SHADOWS is the inspiring true story of a Jewish family living in a small village in 1938 Nazi Germany -- & how their love & faith in each other enable them to triumph over evil. Readers enter directly into the story through the immediate, vivid perceptions of its young protagonist, Miriam. This sensitive, happy schoolgirl is only 10 years old; but in a few short months she comes face to face with evil as her family's normal life is disrupted by outside forces. SHADOWS includes moments of fear & pain, but no concentration camp scenes; Miriam & her parents finally escape to America. Darker elements are balanced by acts of courage & goodness by family, friends, & sometimes even enemies. Margot Webb, an experienced teacher & psychologist, is the bestselling author of COPING WITH STREET GANGS & COPING WITH COMPULSIVE BEHAVIOR.

A private eye stalks a serial killer through the streets of a permanently dark world in this mind-bending sci-fi thriller from one of the genre’s most visionary authors Below the neon skies of Dayzone—where the lights never go out, and night has been banished—lowly private eye John Nyquist takes on a teenage runaway case. His quest takes him from Dayzone into the permanent dark of Nocturna. As the vicious, seemingly invisible serial killer known only as Quicksilver haunts the streets, Nyquist starts to suspect that the runaway girl holds within her the key to the city’s fate. In the end, there’s only one place left to search: the shadow-choked zone known as Dusk.

Restoring Nietzsche to a Nietzschean context—examining the definitive element that animates his work. What is it that makes Nietzsche Nietzsche? In The Shortest Shadow, Alenka Zupančič counters the currently fashionable appropriation of Nietzsche as a philosopher who was "ahead of his time" but whose time has finally come—the rather patronizing reduction of his often extraordinary statements to mere opinions that we can "share." Zupančič argues that the definitive Nietzschean quality is his very unfashionableness, his being out of the mainstream of his or any time. To restore Nietzsche to a context in which the thought "lives on its own credit," Zupančič examines two aspects of his philosophy. First, in "Nietzsche as Metapsychologist," she revisits the principal Nietzschean themes—his declaration of the death of God (which had a twofold meaning, "God is dead" and "Christianity survived the death of God"), the ascetic ideal, and nihilism—as ideas that are very much present in our hedonist postmodern condition. Then, in the second part of the book, she considers Nietzsche's figure of the Noon and its consequences for his notion of the truth. Nietzsche describes the Noon not as the moment when all shadows disappear but as the moment of "the shortest shadow"—not the unity of all things embraced by the sun, but the moment of splitting, when "one turns into two." Zupančič argues that this notion of the Two as the minimal and irreducible difference within the same animates all of Nietzsche's work, generating its permanent and inherent tension.

There is magic in the Shadow Lands. Vampires roam West Bend. Witches say spells near Hidden Falls. Blackwings battle demons in Rockport. The Dark Forest hides the secrets of them all. When Shadow Demons attack, people get sick or hurt, but only the Blackwings can see what is really happening. Gabe, Alexis, and DeAndre are the only ones who can fight. Shadow Demons eat the life out of people. They must be stopped.

Subtle and haunting, Noon is the story of Rehan Tabassum, a young man who has seen a childhood of uncertainty, and whose vulnerability has rendered him a gaze so keen that it divines easily the shifts around him: his mother and her new husband, the emergence of a dazzling new India, the retreat of the old, muted order of dust and shortages, and the swell of a suppressed people. In this uncompromising yet unexpectedly tender third book, Aatish Taseer maps a difficult period in India and Pakistan, a period of deep upheavals, whose true direction is elusive. By presenting Rehan's journey through lands of sudden wealth and hidden violence, in an atmosphere of political quicksand and moral danger, Taseer brings us into closer contact with a world experiencing convulsive change. Stark, brave, and absolutely compelling, Noon confirms Aatish Taseer as a writer of emotional acuity and great intellectual gift.

A groundbreaking view of South Asian history in the twentieth century that underlines the similarities and intertwined cultures of India and Pakistan “[A] definitive new 20th-century thematic history of the Indian subcontinent that rejects hegemonic conceptions of national ‘difference.’”—Financial Times This radically original and ambitious history of the Indian subcontinent explores the region’s unique twentieth-century history and foregrounds the deep connections, rather than the well-publicized fissures, between the cultures of India and Pakistan. Taking the partitions of British India rather than the two world wars as the century’s inflection points, Joya Chatterji examines how issues of nationalism, internal and external migration, and technological innovation contributed to South Asia’s tumultuous twentieth century. Chatterji weaves together elements of her autobiography and family history; stories of such legendary figures as Tagore, Jinnah, Gandhi, and Nehru; and, in particular, the accounts of the many who were left behind and marginalized in relentless nation-building projects. Chatterji examines the countries’ mirroring patterns in state building, social and cultural life, modes of leisure, consumption, and oppression, and offers a timely course correction to our understanding of the dynamics of South Asian history. It reframes the events of the twentieth century that are continuing to play out in the present day.