An unprecedented introduction to the Canadian Special Operations Forces Command. On February 1, 2016, the Canadian Special Operations Forces Command (CANSOFCOM) celebrated its tenth anniversary. This benchmark passed largely unheralded. After all, few Canadians actually realize their nation possesses special operations forces, and fewer yet know Canada’s long and distinguished history with these forces and the exceptional warriors who fill their ranks. CANSOFCOM carries on this tradition and in its short history has earned a reputation for courage, professionalism, and operational excellence. This book is a rare glimpse into the shadows, providing detailed information on CANSOFCOM and its units, as well as a pictorial history of the Command’s evolution. Le 1er février 2016, le Commandement des Forces d’opérations spéciales du Canada (COMFOSCAN) a célébré son dixième anniversaire. Ce jalon est passé largement inaperçu. Après tout, peu de Canadiens savent que leur pays possède des forces d’opérations spéciales et encore moins de personnes savent que le Canada a une longue tradition prestigieuse avec ces forces et les guerriers exceptionnels qui les composent. Le COMFOSCAN poursuit cette tradition et, depuis sa création, ses membres ont été reconnus pour leur courage, leur professionnalisme et leur excellence opérationnelle. Ce livre offre un rare aperçu de ces guerriers de l’ombre. Il offre des informations détaillées sur le COMFOSCAN et ses unités, en plus de présenter l’histoire illustrée de l’évolution du commandement.

Thirty-nine essays explore the vast diversity of video game history and culture across all the world's continents. Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and culture across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language. Readers will learn, for example, about the rapid growth of mobile games in Africa; how a meat-packing company held the rights to import the Atari VCS 2600 into Mexico; and how the Indonesian MMORPG Nusantara Online reflects that country's cultural history and folklore. Every country or region's unique conditions provide the context that shapes its national industry; for example, the long history of computer science in the United Kingdom and Scandinavia, the problems of piracy in China, the PC Bangs of South Korea, or the Dutch industry's emphasis on serious games. As these essays demonstrate, local innovation and diversification thrive alongside productions and corporations with global aspirations. Africa • Arab World • Argentina • Australia • Austria • Brazil • Canada • China • Colombia • Czech Republic • Finland • France • Germany • Hong Kong • Hungary • India • Indonesia • Iran • Ireland • Italy • Japan • Mexico • The Netherlands • New Zealand • Peru • Poland • Portugal • Russia • Scandinavia • Singapore • South Korea • Spain • Switzerland • Thailand • Turkey • United Kingdom • United States of America • Uruguay • Venezuela

Ever since Sarah Weller was five years old, she has been haunted by a cloud of thick black smoke. It lived. It moved. And from its center, two glowing red eyes watch her. Daily nightmares of the tragedy that took her parents kept her awake. Uncertainty of how she survived plagued her thoughts. But a battle is brewing in the Shadow world. A place behind the thinnest of veils and Sarah is about to be pulled into it by a man she never imagined possible. Witches, Dragons, and shapeshifters are meant to be a thing of myths. Legends we tell children in bedtime stories. But, as Sarah is about to find out, everything has an origin story. A fight that seems impossible to win, for the sake off all living things, hangs in the balance. Will Sarah and her new guardian be able to stop the death of millions? Or will the truth tear apart everything she believed was real?

The translation of poetry has always fascinated the theorists, as the chances of "replicating" in another language the one-off resonance of music, imagery, and truth values of a poem are vanishingly small. Translation is often envisaged as a matter of mapping over into the target language the surface features or semiotic structures of the source poem. Little wonder, then, that the vast majority of translations fail to be poetry in their own right. These essays focus on the poetically viable translation - the derived poem that, while resonating with the original, really is a poem. They proceed from a writerly perspective, eschewing both the theoretical overkill that spawns mice out of mountains and the ideological misappropriation that uses poetry as a way to push agendas. The emphasis throughout is on process and the poem-to-come.to move forward in theory and practice and opens new paths in land policy research.