It is typically thought that the demandingness problem is specifically a problem for consequentialists because of the gradable nature of consequentialist theories. Shades of Goodness argues that most moral theories have a gradable structure and, more significantly, that this is an advantage, rather than a disadvantage, for those theories.

This remarkable autobiographical play by the award-winning author of Building Jerusalem and Martin Sloane, is a Russian-doll-like play: concentric stories enveloping each other. A writer is told, in confidence, a terrible tale of murder and injustice and he promises never to repeat the story. Goodness is the writer breaking his word. Recently divorced, Michael Redhill goes to Poland to get away frm his life and to do some research on the Holocaust. Thwarted by witnesses unwilling to talk, he returns home via England, but in London is introduced to someone who can tell him a 'real' story of evil. Through this reluctant witness, Redhill learns of a genocide. He encounters, through the memory of the storyteller, an alleged war criminal, about to be put on trial. But this is an old man with Alzheimer's who can no longer remember the time his crimes were allegedly committed. Has his guilt dissolved with his memory? Could he be pretending to be ill in order to escape punishment? The witness conjures for Redhill the war criminal's passionate and beautiful daughter, who will defend her father at all costs. There is also the prosecuting attorney, who has much in common with the old man whose destruction he seeks. As well as an uncomfortable attraction to his daughter. Each is drawn to the other. All is witnessed by a female prison guard - the one who tells the playwright, years later, what really happened in the quest to give a nation some closure. Everyone's story is compelling, and the ending is as unexpected as it is shocking. Who do we believe? A prison guard still wounded by history? A writer suffering from heartache? A dying war criminal? What is our responsibility? Who does memory serve? Did the past really happen? And if it did, who has a claim on it? Goodness is a play about what happens in the gaps between experiencing, telling and hearing.

Have you ever asked yourself the questions: What is life about, who am I and how can I feel whole and free? Goodness, Grace & Great Thoughts on Fire invites you to experience and expand your perception of life into something greater than good or bad, positive and negative. In this book you will learn that all is good for the highest good! In this illuminating volume, Susana Mei Silverhj has deeply opened her heart to awaken you to loving yourself exactly as you are by telling personal stories that you will relate to. These stories will help you to remember your uniqueness and to embrace both your light and shadows in all their many shades. The feel-good menu of 33 personal, brutally truthful and transformational stories will help you pick and choose what gifts resonate with you on your journey the journey of creating magic and awesomeness in your life. Receive and embody the frequencies of: Empowerment to create a magical life Changing perceptions and beliefs to feel free, vibrant, and powerful Embodiment and alignment of body, mind, heart, and soul Inclusion and acceptance of your uniqueness, just as you are Love to embrace the 7 billion shades of you

The drama of Edward Bulwer, Tom Robertson, W. S. Gilbert, W. A. Jones, Arthur Pinero, Oscar Wilde and Bernard Shaw, examined in social and political context. This book will be of interest to students and scholars of theatre history, English literature and social history, and women's studies.