Sexuality, Excess, and Representation develops a psychoanalytic understanding of psychic bisexuality and how it can be understood theoretically and in clinical practice. Rosine Jozef Perelberg articulates a Freudian metapsychology with modern preoccupations with questions of sexual difference and differences. She expands on the ideas presented in her previous book edited work, Psychic Bisexuality: a British-French Dialogue. The author’s approach brings back into focus Freud‘s idea that "one is not born already made as a man or woman, but one is constituted as such in the process of development". Freud’s theoretical writing on bisexuality is examined, returning us firmly to infantile sexuality and the Oedipus complex and the "repudiation of femininity". Perelberg draws on her past training as a social anthropologist to propose and explore the differentiation between sex, gender, and sexuality. She considers post-war academic work in gender and women’s studies and queer theory, arguing that the object of psychoanalysis is not gender but sexuality, which establishes a link between the sexual and the unconscious. She suggests that the unconscious permanently challenges our apparent unity as subjects. Sexuality, Excess and Representation will be of great interest to all practicing psychoanalysts and psychoanalytic psychotherapists.

Winner of the American Board & Academy of Psychoanalysis Edited Book Prize for 2019! Psychic Bisexuality: A British-French Dialogue clarifies and develops the Freudian conception according to which sexual identity is not reduced to the anatomical difference between the sexes, but is constructed as a psychic bisexuality that is inherent to all human beings. The book takes the Freudian project into new grounds of clinical practice and theoretical formulations and contributes to a profound psychoanalytic understanding of sexuality. The object of pychoanalysis is psychosexuality, which is not, in the final analysis, determined by having a male or a female body, but by the unconscious phantasies that are reached après coup through tracing the nuanced interplay of identifications as they are projected, enacted and experienced in the transference and the countertransference in the analytic encounter. Drawing on British and French Freudian and post-Freudian traditions, the book explores questions of love, transference and countertransference, sexual identity and gender to set out the latest clinical understanding of bisexuality, and includes chapters from influential French analysts available in English for the first time. Psychic Bisexuality: A British-French Dialogue will appeal to psychoanalysts and psychoanalytic psychotherapists as well as gender studies scholars.

"... a work that builds a substantial bridge between Freudian psychoanalysis and radical feminist thought, particularly on the subject of lesbianism.... Presenting a complex argument about an issue vital to the psychoanalytic endeavor as well as to feminist theory, The Practice of Love should stimulate a reconsideration of 'perversion' and the construction of sexual fantasy. The illumination of the fantasies that make lesbian desire distinctive will necessarily open up our understanding of all sexuality." --Jessica Benjamin, New York Times Book Review "Teresa de Lauretis has entwined three books into one: a critical history of psychoanalytic theories of female homosexuality; a bold study of how lesbians keep disappearing from popular culture, especially film; and an original speculation on the dynamics of lesbian desire." --Elisabeth Young-Bruehl "An important and original contribution not only to lesbian and gay studies, but also to psychoanalytic theory and film criticism. De Lauretis brings a unique and valuable perspective to issues of great importance today in all these areas." --Leo Bersani "De Lauretis's influential theory gets top marks from sapphic scholars who know best." --Out In an eccentric reading of Freud through Laplanche and the Lacanian and feminist revisions, Teresa de Lauretis delineates a model of "perverse" desire and a theory of lesbian sexuality. The Practice of Love discusses classic psychoanalytic narratives of female homosexuality, contemporary feminist writings on female sexuality, and the evolution of the original fantasies into cultural myths or public fantasies.

A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. ". . . this is a major book . . . [McClary's] achievement borders on the miraculous." The Village Voice"No one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals." Choice"Feminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer." The Women's Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books

A collection of case studies from analysts who have treated patients who have committed serious acts of violence either against others or themselves.

Sexuality, Excess, and Representation develops a psychoanalytic understanding of psychic bisexuality and how it can be understood theoretically and in clinical practice. Rosine Jozef Perelberg articulates a Freudian metapsychology with modern preoccupations with questions of sexual difference and differences. She expands on the ideas presented in her previous book edited work, Psychic Bisexuality: a British-French Dialogue. The author's approach brings back into focus Freud's idea that "one is not born already made as a man or woman, but one is constituted as such in the process of development". Freud's theoretical writing on bisexuality is examined, returning us firmly to infantile sexuality and the Oedipus complex and the "repudiation of femininity". Perelberg draws on her past training as a social anthropologist to propose and explore the differentiation between sex, gender, and sexuality. She considers post-war academic work in gender and women's studies and queer theory, arguing that the object of psychoanalysis is not gender but sexuality, which establishes a link between the sexual and the unconscious. She suggests that the unconscious permanently challenges our apparent unity as subjects. Sexuality, Excess and Representation will be of great interest to all practicing psychoanalysts and psychoanalytic psychotherapists.

Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.