In the late 20th century, the world experienced a sexual revolution that forever altered the ways we talk about, think about, and engage in sexual activities and relationships. That period shattered traditional norms and introduced the mainstream to the concept that sexuality could be openly discussed, taught, and celebrated. It was a monumental cultural shift that set the stage for the various ways we understand human sexuality today. But we are on the brink of another monumental shift—welcome to Sexual Revolution 2.0. This book, "Sexual Revolution 2.0: Reconfiguring Norms in the Age of Digital Intimacy," aims to offer an authoritative account of how technology, social change, and evolving norms are heralding a new phase in the sexual revolution. One that's taking place not in secretive underground clubs or isolated academic settings but within the highly accessible landscape of the Internet, emerging technologies, and social media platforms. To say we live in interesting times is a monumental understatement. The second decade of the 21st century has brought forth an explosion of dialogue around sexuality, and with it, dramatic changes in attitudes and behaviors. The global conversation around issues such as consent, gender identity, and sexual orientation is richer and more nuanced than ever before. Technology has both complicated these conversations and provided new solutions. Digital platforms have given rise to new forms of relationships, from online dating to long-distance interactive sexual experiences. The industry of "sextech" is burgeoning, challenging taboos and reshaping the very mechanics of sexual pleasure. In the following chapters, you will be introduced to various facets of this new revolution.

"In clear language and conceptualization and through the liberal use of case material from therapy sessions, the authors show how individuals can be helped to overcome these challenges and become physically and emotionally closer to their partners."--BOOK JACKET.

Surveys the online social habits of American teens and analyzes the role technology and social media plays in their lives, examining common misconceptions about such topics as identity, privacy, danger, and bullying.

This report summarizes the results of an ambitious three-year ethnographic study, funded by the John D. and Catherine T. MacArthur Foundation, into how young people are living and learning with new media in varied settings—at home, in after school programs, and in online spaces. It offers a condensed version of a longer treatment provided in the book Hanging Out, Messing Around, and Geeking Out (MIT Press, 2009). The authors present empirical data on new media in the lives of American youth in order to reflect upon the relationship between new media and learning. In one of the largest qualitative and ethnographic studies of American youth culture, the authors view the relationship of youth and new media not simply in terms of technology trends but situated within the broader structural conditions of childhood and the negotiations with adults that frame the experience of youth in the United States. The book that this report summarizes was written as a collaborative effort by members of the Digital Youth Project, a three-year research effort funded by the John D. and Catherine T. MacArthur Foundation and conducted at the University of California, Berkeley, and the University of Southern California. John D. and Catherine T. MacArthur Reports on Digital Media and Learning

Mobile communication has dramatically changed over the past decade with the diffusion of smartphones. Unlike the basic 2G mobile phones, which "merely" facilitated communication between individuals on the move, smartphones allow individuals to communicate, to entertain and inform themselves, to transact, to navigate, to take photos, and countless other things. Mobile communication has thus transformed society by allowing new forms of coordination, communication, consumption, social interaction, and access to news/entertainment. All of this is regardless of the space in which users are immersed. Set in the context of the developed and the developing world, The Oxford Handbook of Mobile Communication and Society updates current scholarship surrounding mobile media and communication. The 43 chapters in this handbook examine mobile communication and its evolving impact on individuals, institutions, groups, societies, and businesses. Contributors examine the communal benefits, social consequences, theoretical perspectives, organizational potential, and future consequences of mobile communication. Topics covered include, among many other things, trends in the Global South, location-based services, and the "appification" of mobile communication and society.

In this lively ethnography, Weiss studies the pansexual BDSM community in the San Francisco Bay Area. Weiss finds that BDSM practice is not as transgressive as the participants imagine, nor is it simply reinforcing of older forms of social domination. Instead she shows how fantasy play depends on pre-existing social hierarchies, even as it also participates in a commodification of desires.

The widespread uptake of digital platforms – from YouTube and Instagram to Twitch and TikTok – is reconfiguring cultural production in profound, complex, and highly uneven ways. Longstanding media industries are experiencing tremendous upheaval, while new industrial formations – live-streaming, social media influencing, and podcasting, among others – are evolving at breakneck speed. Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. Offering a novel conceptual framework grounded in illuminating case studies, this book is essential for students, scholars, policymakers, and practitioners seeking to understand how the institutions and practices of cultural production are transforming – and what the stakes are for understanding platform power.