"Ancient Greek oratory has long been seen as a source for cultural and historical information, in this case on sexual labor, which is generally treated differently within ancient speeches than within other genres, such as comedy or philosophy. Oratory provides evidence of male and female sex laborers, the private ownership of sex slaves, Athenian brothels, sex traffickers (the majority of whom appear to have been female), the cost of sex, the use of contracts between sex laborers and clients, manumission practices for sex slaves, and even the sharing of a sex laborer between two clients (as either joint owners or through a contract for exclusive use). As opposed to the stereotypical witty, educated hetaira that appears in other Athenian literature, sex laborers as they appear in Athenian speeches are portrayed as potentially dangerous transgressors that threaten social on both male and female sex laborers found within. Each chapter focuses on a specific theme (such as desire, the household, or dangerous women) and uses that as a touchstone to examine the representations of prostitutes and sexuality within the speech. Although prostitution was legal in ancient Athens, it was often complicated by notions of gender and sex, citizenship, slavery and ownership, and other issues that become apparent in the speeches. The variety of ways in which prostitution was approached within oratory help reveal the complex cultural constructions around the activity. Glazebrook shows that the different ways in which sex laborers interact with each other and with society as a whole, as depicted in the speeches, reveal the complexity and diversity not only of sexual labor itself, but also of the attitudes, ambiguities, and anxieties that surrounded sexual labor in classical Athens"--

Oratory is a valuable source for reconstructing the practices, legalities, and attitudes surrounding sexual labor in classical Athens. It provides evidence of male and female sex laborers, sex slaves, brothels, sex traffickers, the cost of sex, contracts for sexual labor, and manumission practices for sex slaves. Yet the witty, wealthy, free, and independent hetaira well-known from other genres, does not feature. Its detailed narratives and character portrayals provide a unique discourse on sexual labor and reveal the complex relationship between such labor and Athenian society. Through a holistic examination of five key speeches, Sexual Labor in the Athenian Courts considers how portrayals of sex laborers intersected with gender, the body, sexuality, the family, urban spaces, and the polis in the context of the Athenian courts. Drawing on gender theory and exploring questions of space, place, and mobility, Allison Glazebrook shows how sex laborers represented a diverse set of anxieties concerning social legitimacy and how the public discourse about them is in fact a discourse on Athenian society, values, and institutions.

Recovers the voices, experiences and agency of enslaved people in ancient Greece.

This book is a comprehensive introduction to ancient Athens, its topography, monuments, inhabitants, cultural institutions, religious rituals, and politics. Drawing from the newest scholarship on the city, this volume examines how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman urbs.

Interrogates the traditional binary 'slave societies'/'societies with slaves' as a paradigm for understanding the global practice of slaveholding.

Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters—sometimes admirable, sometimes despicable—on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers. The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.