'The Pop artists were among the first to understand the desire of consumers to change their lives through the purchase of clean, manufactured commodities. YBA, on the other hand, was more interested in the dirt that accrues beneath the laminate surface of shiny things. Their special perception was that cheap language and cheap materials didn't have to equal cheap thinking. The trick was to tell it in a jaunty, unportentous, off-hand, unliterary - anti-literary - way. And then there were the drugs.' Spanning nearly 35 years, Sex & Violence, Death & Silence is a collection of the best of Gordon Burn's writing on art. Focusing on two principle generations - the Royal College pop art of Hockney and his contemporaries, and the YBA sensations of the 1990s - it explores how these artists rose to prominence with their friends and contemporaries, and what happened next. Burn's work is fast becoming a kind of chronicle. Its factuality always connects with the broader poetic rythms of cultural life. Displaying all his customary insight and empathy, his writing adds up to much more than a collection of pieces on art: superbly evocative and engaging, it offers a pathway through two of the most important and vibrant periods in recent art history, and is another compelling and ruminative look at our culture.

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

Before #MeToo, there was silence. Let's talk about that silence. The Anatomy of Silence is a collection of voices speaking out loud - often for the first time - about what it means to stay silent, to be silenced, and to break the silence that surrounds sexual violence. About how we are all complicit in creating that silence. It offers an unflinching account of how a culture of shame perpetuates a culture of violence against our bodies--and reflects on what it would take to create a world in which that silence -- once broken -- stays broken.

Dead Silence is the gripping fourth novel in the Body Finder series. With romance, suspense, and unexpected twists, Dead Silence will keep readers guessing until the very last page. All her life Violet has grappled with her ability to sense the echoes of those who have been murdered and the matching imprint that clings to their killers. Now that she has an imprint of her own, Violet's "gift" is intolerable. Torn between her desire to lead a normal life and the pressure from the Center to continue her work tracking down killers, Violet's world starts to unravel . . . and some of her most carefully guarded secrets are exposed. Then she discovers a gruesome murder scene unlike anything she's ever encountered, and she can't rest until she's silenced the echoes for good. As Violet sets out to find a vicious murderer and his band of devoted followers, she realizes that protecting those closest to her is far more difficult than protecting herself.

A handbook on domestic violence from a spiritual perspective, for clergy, parish nurses, and others. Breaking the Silence contains important, action-oriented information about domestic violence and its pervasiveness in society. Sections include “myths” about domestic violence; a checklist to determine if a relationship is potentially violent; clergy resources for counseling, worship, and congregational outreach; rape; information for youth; and pages that can be customized with local and national contact numbers, e-mail addresses, and websites. Also includes questions for discussion and suggestions for using the book for training or as a youth and adult education tool. This resource is limited to adult abuse, as the subject of child abuse is highly specialized and often includes many more laws and involvement from local agencies that will vary from jurisdiction to jurisdiction.

Nine years she suffered, but no more. Her new name is Mia Harlow, and she is ready to live again.It took a near death experience, but Mia got away. She's rebuilt her life from the ground up, and after three long years, she's found a reason to live again. Everything is going great until her neighbor is attacked, and the past threatens to engulf Mia again. Just when she thinks all is lost, three amazing men waltz into her life. Their complementary personalities and differing strengths bind the broken pieces that her ex-husband left behind.While Mia is healing and learning what love is supposed to be, a serial killer is on the prowl. Molly Manhunter stalks the city looking for rapists. She ensnares them with the one thing they've been accused of abusing - sex, and uses it to extinguish their lives. Molly is determined to fight against the silence that gets swept under the rug of justice, and Mia is caught up in the search for her neighbor's abuser. Will the two women cross paths? When push comes to shove, will Mia's newfound bonds weather the storm? Can one woman break the Deafening Silence, or will she become another victim to the system?Deafening Silence book one in the Manhunter trilogy. It is a dark reverse harem romance about an abuse survivor. The MC will not choose between her love interests. Expect dark elements and explicit scenes. If such scenes will offend or trigger you, please do not buy this book.

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....