Hardcore pornographic films combine fantasy and real sex to create a unique genre of entertainment. Pornographic films are also historical documents that give us access to the sexual behavior and eroticism of different historical periods. This book shows how the making of pornographic films is a social process that draws on the fantasies, sexual scripts, and sexual identities of performers, writers, directors, and editors to produce sexually exciting videos and movies. Yet hardcore pornographic films have also created a body of knowledge that constitutes, in this digital age, an enormous archive of sexual fantasies that serve as both a form of sex education and self-help guides. Sex, Society, and the Making of Pornography focuses on sex and what can be learned about it from pornographic representations.

Pornography in a Free Society deals with what has been called the 'civil war over smut'. It addresses an issue about which citizens of Western nations are sharply divided. Gordon Hawkins and Franklin Zimring attempt to look at the problem of pornography in a wider perspective than that of partisan political debate. To that end, they compare two American reports on pornography commissioned by Presidents Johnson and Reagan, the first published in 1970 and the latter in 1986, with the report of the British Committee on Obscenity and Film Censorship, which appeared during the years between the American reports. They discuss the radical feminist challenge to pornography and the question of pornography and children. Going on to consider likely future developments, the authors argue that the furore over pornography and the appointment of commissions are part of a 'ceremony of adjustment' to widespread availability of sexually explicit material and they predict less social concern about pornography as time passes.

As many can attest, the prevalence of sexual imagery has increased in modern society over the past half century. In this timely new study, Kenneth Kammeyer traces the historical development of sexual imagery in America and society's preoccupation with it, all within a firm theoretical and sociological framework.

What can ethnic differences tell us about the desiring gaze while addressing the motives that result from the power and desire in gay ethnic pornography in Europe? How do pornographic films authenticate their ethnic subject in different European countries and how can the fetishism of presenting an authentically foreign body be best approached? Is the transformation of sex tourism, which affects countries differently, reflected through the ever-evolving history of gay pornography in Europe? And how does this transformation contrast or overlap with the legacies of Orientalism and colonialism? In addressing these questions, this book will participate in ongoing debates concerning Orientalism and colonialism, and make a contribution to the growing field of pornography studies. While recent works by scholars have considered the relation between US mainstream gay pornography and its representations of ethnicity and 'race, ' and have also discussed examples from Europe (predominantly France), no historical study has yet bridged the gap between earlier European gay ethnic pornography and its current, specifically German-Turkish manifestations. Furthermore, this exploration of recent studios like GayHeim will also contribute to discussions on the mobility issues of non-European men, while illustrating how these new productions can be refugee--or migrant--positive while simultaneously perpetuating Orientalism.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

In a society where sexualized media has become background noise, we are frequently discouraged from frank and open discussions about sex and offered few tools for understanding sexual behaviors and sexualities that are perceived as being out of the norm. This book encourages readers to establish new ways of thinking about stigmatized peoples and behaviors, and to think critically about gender, sex, sexuality and sex crimes. Sexual Deviance and Society uses sociological theories of crime, deviance, gender and sexuality to construct a framework for understanding sexual deviance. This book is divided into four units: Unit I, Sociology of Deviance and Sexuality, lays the foundation for understanding sex and sexuality through sociological frameworks of deviance. Unit II, Sexual Deviance, provides an in depth dialogue to its readers about the sociological constructions of sexual deviance with a critical focus on contemporary and historical conceptualizations. Unit III, Deviant Sexual Acts, explores a variety of deviant sexual acts in detail, including sex in public, fetishes, and sex work. Unit IV, Sex Crimes and Criminals, examines rape and sexual assault, sex crimes against children, and societal responses to sex offenders and their treatment within the criminal justice system. Utilizing an integrative approach that creates a dialogue between the subjects of gender, criminology and deviance, this book is a key resource for students interested in crime and deviance, gender and sexuality, and the sociology of deviance.

What Pornography Knows offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.