SEX AND THE SINGLE COWPOKE "Lonesome Swallow Ranch, here I come!" A sexy, Stetson-wearing cowboy is as out of place in the urban wilds of New York as Assistant D.A. Margo Haskell is in Hicksville, Texas. But when her life is threatened because of her job, Armadillo Bend—and the strong arms of Wyatt E. Lamar—are just the place to hide. She learns Wyatt is one cowboy who can sweet-talk and kiss a girl until she forgets all about her "very important" career. Then she realizes that small-town life can be as hazardous as the Big Apple—especially to her heart! LOVESTRUCK All's fair in love and work… Reporters Dru Logan and Pierce Montcastle are passionate competitors—and one night they'd been even more…until Pierce stole away with Dru's story. Now the two rivals are once again after the same scoop: an eccentric scientist has discovered a love potion. And once again, Dru and Pierce end up in the same bed! Pierce swears he's changed, that he wants Dru in his life forever. But can she believe him? Or is he simply loving under the influence?

GREAT GENES! Baby—Made-to-order Offbeat, klutzy fashion designer Cleo Rose plans to "design" her baby. Her family consists of a bunch of kooks, and she wants to give her child a chance for a regular life. Enter supernormal, brilliant scientist Bryce Hampton, a man with great genes. He's also charming, sexy and wonderful—a man she could love. But Cleo is determined to protect her heart because men like Bryce don't fall for a woman like her…or did they? MAKE ME OVER Wanted: Man, preferably breathing Nell Philips has man problems—how many guys want to date a five-foot-eight-inch cop who's a dead shot and can throw them across the room? Sheriff Mac Cochrane has woman problems—mostly from his mother who wants him to get married. The solution to both their problems is obvious—Mac will teach Nell how to be a sexy siren, and she'll help him find the perfect mate. Trouble is, when Mac sees the made-over Nell, all bets are off. First guy who looks at her sideways is going to get arrested….

Duets 2-In-1 by Liz Ireland\Cheryl Anne Porter released on Aug 25, 2000 is available now for purchase.

Duets 2-In-1 by Liz Ireland\Carrie Alexander released on Sep 24, 2000 is available now for purchase.

First published in 1987, New York Times bestseller, I’m With The Band has been reprinted throughout the years, all over the world. This is the stylish, exuberant and sweetly innocent tale of one of the most famous groupies of the 1960s and 70s. Beginning with Pamela Des Barres’ early obsession with Elvis, her own Beatlemania madness, and her fierce determination to meet the musicians who rocked her world, I’m With The Band illuminates the glory days of scintillating encounters with musical gods including Jim Morrison, Jimi Hendrix, Mick Jagger and Keith Moon. A girl just wanting to have fun, Des Barres immersed herself in the drugs, danger and ecstasy of the freewheeling 1960s. As a member of The GTOs (Girls Together Outrageously), an all-female group masterminded by Frank Zappa, Des Barres was in the thick of the most revolutionary renaissance in the history of modern popular music. She travelled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons and Ray Davies. She had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. A woman in possession of her own destiny, Des Barres blazed a trail for women’s life-writing, standing up for female voices and experience everywhere. From original diaries, told with great warmth, chutzpah and joie de vivre, this is a frank memoir that wears its heart on its sleeve, and recalls one of rock ’n’ roll’s most thrilling eras. This edition contains new material from the author, including her response to the vitriolic shaming of groupies, and a foreword by Roisin O’Connor, rock journalist and music correspondent for the Independent.

Thomas Pynchon's fiction has been considered masculinist, misogynist, phallocentric, and pornographic: its formal experimentation, irony, and ambiguity have been taken both to complicate such judgments and to be parts of the problem. To the present day, deep critical divisions persist as to whether Pynchon's representations of women are sexist, feminist, or reflective of a more general misanthropy, whether his writing of sex is boorishly pornographic or effectually transgressive, whether queer identities are celebrated or mocked, and whether his departures from realist convention express masculinist elitism or critique the gendering of genre. Thomas Pynchon, Sex, and Gender reframes these debates. As the first book-length investigation of Pynchon's writing to put the topics of sex and gender at its core, it moves beyond binary debates about whether to see Pynchon as liberatory or conservative, instead examining how his preoccupation with sex and gender conditions his fiction's whole worldview. The essays it contains, which cumulatively address all of Pynchon's novels from V. (1963) to Bleeding Edge (2013), investigate such topics as the imbrication of gender and power, sexual abuse and the writing of sex, the gendering of violence, and the shifting representation of the family. Providing a wealth of new approaches to the centrality of sex and gender in Pynchon's work, the collection opens up new avenues for Pynchon studies as a whole.

In order to pay the bills, struggling actress/waitress Edie Amos takes on two roommates--a blonde Amazonian beauty and a pampered Texas princess--who drive her crazy, but when the going gets tough, Edie discovers the true meaning of friendship. Reprint.