A fascinating and often-funny look into Romans’ private (or not-so-private) lives, exploring the truth behind the empire’s salacious reputation. From emperors to empresses, poets to prostitutes, slaves to plebs, ancient Rome was a wealth of different experiences and expectations—nowhere more so than around the subject of sex and sexuality. The image of ancient Rome that has come down to us is one of sexual excess: emperors gripped by perversion partaking in pleasure with whomever and whatever they fancied during weeklong orgies. But how true are these tales of depravity? Was it really a sexual free-for-all? What were the laws surrounding sexual engagement? How did these vary according to gender and class? And what happened to those who transgressed the rules? We invite you to climb into bed with the Romans to discover some very odd contraceptive devices, gather top tips on how to attract a partner, and learn why you should avoid poets as lovers at all costs. Along the way we’ll stumble across potions and spells, emperors and their favorites, and some truly eye-popping interior decor choices.

First published in 2001. The psychological basis of the Roman Empire was a ruthless, frequently sadistic 'will to power'. This impulse is highly manifest in Ancient Roman attitudes towards sex. After describing women’s position in Roman society, Keifer skilfully surveys the crypto-sexual satisfaction derived by Romans from a range of activities.

A 2006 study of Roman sexuality and sexual ethics focusing on the crucial and unsettled concept of pudicitia.

"Comprehensive, reader-friendly, richly detailed, forthright, subtle, and very clear, Controlling Desires is the only handbook on ancient sexuality that works persistently to offset modern readers' assumptions about sex and sexuality, to challenge the notion that sexuality is natural and universal, and to bring out the differences between ancient and modern discourses of sex—or, even, between ancient and modern experiences of desire. As such, it is a very helpful resource for students working on the history of sexuality in classical antiquity, because it shows how such a history might be possible and what is actually historical about sexuality." —David M. Halperin, University of Michigan, author of One Hundred Years of Homosexuality, Saint Foucault, and How to Do the History of Homosexuality Since its first publication in 2009, Controlling Desires has been widely lauded as an accessible introduction to sexual practices, attitudes, and beliefs in the classical world. Treating Greece and Rome in separate sections, with ample cross-references and comparisons, Kirk Ormand presents a wide array of evidence from literary texts and visual arts, including two new chapters on Greek vase painting and Roman artifacts and wall paintings.

This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened. In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.

An entertaining and intriguing account of sex in Rome and the exploits of some of Rome’s celebrated exponents of sexual permissiveness and perversion

The decadence and depravity of the ancient Romans are a commonplace of serious history, popular novels and spectacular films. This book is concerned not with the question of how immoral the ancient Romans were but why the literature they produced is so preoccupied with immorality. The modern image of immoral Rome derives from ancient accounts which are largely critical rather than celebratory. Upper-class Romans habitually accused one another of the most lurid sexual and sumptuary improprieties. Historians and moralists lamented the vices of their contemporaries and mourned for the virtues of a vanished age. Far from being empty commonplaces these assertions constituted a powerful discourse through which Romans negotiated conflicts and tensions in their social and political order. This study proceeds by a detailed examination of a wide range of ancient texts (all of which are translated) exploring the dynamics of their rhetoric, as well as the ends to which they were deployed. Roman moralising discourse, the author suggests, may be seen as especially concerned with the articulation of anxieties about gender, social status and political power. Individual chapters focus on adultery, effeminacy, the immorality of the Roman theatre, luxurious buildings and the dangers of pleasure. This book should appeal to students and scholars of classical literature and ancient history. It will also attract anthropologists and social and cultural historians.