In the '80s, when author/photographer Kurt Hollander lived in New York and published The Portable Lower East, life there was particularly rough, and cops often drove yellow cabs as a method to surprise and roust its residents. Before the decade ended, Hollander moved to the equally rough climes of Mexico City, making his living writing and photographing for The Guardian, The New York Times, Los Angeles Times, and many other publications. Hollander's visual and textual extravaganza, Several Ways to Die in Mexico City, provides a perspective of this extraordinary city that could only have been caught by an observant outsider who lived in all its nooks and crannies for over two decades. Crammed with caustic but fair observations of the city's history, food, cults, drugs, and buildings, Hollander proves that he can love a city and culture that also kills its inhabitants softly. While living high in Mexico City, Kurt Hollander edited poliester, the renowned bilingual art magazine about the Americas. He also directed the feature film Carambola, and wrote a successful series of children's books. Grove Press published the Portable Lower East Side anthology in 1994.

Absurd, extreme, pleasure-filled, crime-ridden. Sky-high meccas of opportunity, vast swathes of squalor. This is the megacity and this, in many ways, is our future. Not long ago these massive urban hubs with over 10 million people were an anomaly - in 1950 only New York and Tokyo could claim the title. Now, eight of the world's population live in thirty-three megacities with many more predicted to arrive and make these places their home in the coming years. MEGACITY brings together new writing from some of the most impenetrable corners of the world today with creativity, resilience and beautifully black humour. COVID-19 has thrived in megacities and poses unique challenges to the world’s densest urban hubs. Beat lockdown by travelling virtually, into the homes and lives of global megacity writers from Karachi, Paris, Manila, Lagos, Tokyo and others. MEGACITY collect twenty-two individual creative responses to the megacity, infiltrating some of the densest, most difficult corners of the world today. From the tightly packed slums of Delhi and the violent favelas of São Paulo, to eye-watering London property prices and Chinese megacities constructed seemingly overnight - if you boggle at how anyone negotiates today’s rampant, unchecked city growth, this book is for you. Witchcraft, terrorism, chemical swamps, modern slavery, and corpses for rent are all day to day events within these pages. Translated from native languages such as DRC’s Lingala to Portuguese written in deepest Brazilian slang, this collection goes to places which are, for most of us, completely impenetrable. Some of today’s most renowned scientists, economists, architects and urban planners have turned their attention to the megacity in order to understand pressing contemporary dilemmas. It can be difficult, however, when we read their criticism of demographics, economics, infrastructure and environment, to imagine the individual amongst the teeming masses. MEGACITY redresses this problem: giving the reader a many-faceted sense of the megacity character, their stories and their settings. Contributing authors Dele Adeyemo, Kunlé Adayemi, Jessica Zafra, Richard Ali A Mutu, Uday Prakesh, Diego Gerard, Emily Ruth Ford, Liza Alexandrova-Zorina, Deepti Kapoor, Ayodele Olofintuade, Wu Jun, Anna Pook, Daniel Saldaña París, Hideo Furukawa, Ahmed Naji, Ferréz, Bilal Tanweer, Sheyla Smanioto, Montasser Al-Qaffash, and Jeffrey Pascual Yap

In its expanded second edition, this chronology examines the effects of epidemic illness and death on human culture from 2700 bce to 2017. Entries summarize incidents of contagion across the globe, including symptoms, treatment, prevention and demographics, as well as biographical information on notable people who identified and battled disease. Entries feature citations from personal and public documents along with maps, charts comparing types of infection, and estimated populations affected by each epidemic.

This book studies the role of subterranean spaces in literary works about Mexico City. It analyzes how underground spaces such as the subway, the sewage system, tunnels, crypts, and the subsoil itself relate to the whole of the city in a body of works published after 1985, the year of the deadliest earthquake in the capital’s history. The texts belong to the most important genres in urban literature (the novel, the short story, and the crónica) and demonstrate the crucial role played by the underground in contemporary imaginings of the megalopolis, as it condenses and confronts the tensions that run through them. This central idea is developed through four analytical chapters focusing on the political, ecological, historical, and aesthetic dimension of subterranean imaginaries.

"In 1325, the Aztecs founded their capital city Tenochtitlan, which grew to be one of the world's largest cities before it was violently destroyed in 1521 by conquistadors from Spain and their indigenous allies. Re-christened and reoccupied by the Spanish conquerors as Mexico City, it became the pivot of global trade linking Europe and Asia in the 17th century, and one of the modern world's most populous metropolitan areas. However, the Aztec city of Tenochtitlan and its people did not entirely disappear when the Spanish conquistadors destroyed it. By reorienting Mexico City-Tenochtitlan as a colonial capital and indigenous city, Mundy demonstrates its continuity across time. Using maps, manuscripts, and artworks, she draws out two themes: the struggle for power by indigenous city rulers and the management and manipulation of local ecology, especially water, that was necessary to maintain the city's sacred character. What emerges is the story of a city-within-a city that continues to this day"--

"Heinemann Geography for Avery Hill" matches the requirements of the specification for the Avery Hill (OCR/WJEC B) GCSE. This volume contains all four of the student books which match the syllabus units, using case studies, promoting issues-based learning and developing decision-making skills.

Mexico is in a state of siege. Since President Felipe Calderon declared a war on drugs in December 2006, more than 38,000 Mexican have been murdered. During the same period, drug money has infused over $130 billion into Mexico's economy, now the country's single largest source of income. Corruption and graft infiltrate all levels of government. Entire towns have become ungovernable, and of every 100 people killed, Mexican police now only investigate approximately five. But the market is booming: In 2009, more people in the United States bought recreational drugs than ever before. In 2009, the United Nations reported that some $350 billion in drug money had been successfully laundered into the global banking system the prior year, saving it from collapse. How does an "extra" $350 billion in the global economy affect the murder rate in Mexico? To get the story and connect the dogs, acclaimed journalist John Gibler travels across Mexico and slips behind the frontlines to talk with people who live in towns under assault: newspaper reporters and crime-beat photographers, funeral parlor workers, convicted drug traffickers, government officials, cab drivers and others who find themselves living on the lawless frontiers of the drug war. Gibler tells hair-raising stories of wild street battles, kidnappings, narrow escapes, politicians on the take, and the ordinary people who fight for justice as they seek solutions to the crisis that is tearing Mexico apart. Fast-paced and urgent, To Die in Mexico is an extraordinary look inside the raging drug war, and its global implications. John Gibler is a writer based in Mexico and California, the author of Mexico Unconquered: Chronicles of Power and Revolt (City Lights Books, 2009) and a contributor to País de muertos: Crónicas contra la impunidad (Random House Mondadori, 2011). He is a correspondent for KPFA in San Francisco and has published in magazines in the United States and Mexico, including Left Turn, Z Magazine, Earth Island Journal, ColorLines, Race, Poverty, the Environment Fifth Estate, New Politics, In These Times, Yes! Magazine, Contralínea and Milenio Semanal. "Gibler's front-line reportage coupled with first-rate analysis gives an uncommonly vivid and nuanced picture of a society riddled and enervated by corruption, shootouts, and raids, where murder is the 'most popular method of conflict resolution.' . . . At great personal risk, the author unearths stories the mainstream media doesn't—or is it too afraid—to cover, and gives voice to those who have been silenced or whose stories have been forgotten."—Publishers Weekly, starred review "Gibler argues passionately to undercut this 'case study in failure.' The drug barons are only getting richer, the murders mount and the police and military repression expand as 'illegality increases the value of the commodity.' With legality, both U.S. and Mexican society could address real issues of substance abuse through education and public-health initiatives. A visceral, immediate and reasonable argument."—Kirkus Reviews "Gibler provides a fascinating and detailed insight into the history of both drug use in the US and the 'war on drugs' unleashed by Ronald Reagan through the very plausible—but radical—lens of social control. . . . Throughout this short but powerful book, Gibler accompanies journalists riding the grim carousel of death on Mexico's streets, exploring the realities of a profession under siege in states such as Sinaloa and just how they cover the drugs war."—Gavin O’Toole, The Latin American Review of Books