Maine has always played a rich and varied role in the art of photography. For hundreds of years, photographers, like other artists, have made their way to Maine to capture the natural beauty and human culture of the state. So, too, have many photographers come from Maine, and many contributions by Mainers have been made to the medium. Maine in Photography is the first comprehensive overview of the history of photography in the state. Providing basic knowledge of the most important people and institutions to have promoted photography, this volume also studies the ways in which photography has informed the understanding of the social and cultural history of Maine. Beginning with the earliest daguerreotype portraits of the 1840s, this history traces the growth of the medium—emphasizing key contributions, such as the Stanley brothers’ invention of the dry plate process—through to the present. Key topics addressed throughout the book include the importance of photography in documenting labor and economic life, the close relationship between photography and the growth of tourism, and the role of Maine photographers in advancing the medium as a fine art form. Published in conjunction with the Maine Photo Project, this is a unique and timely addition to the body of work on the importance of Maine to American art.

Less celebrated than their male counterparts, women have been vital contributors to the arts. Works by women of the colonial era represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression is as impressive as the women themselves. In American Colonial Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass follows the history of creative expression from the early 1600s to the late 1700s. Drawing upon primary sources—such as letters, diaries, travel notes, and journals—this timeline encompasses a wide variety of artistic accomplishment, such as: Stitchery, quilting, and rug hooking Painting, sculpture, and sketches Essays, poems, and other writings Dance, acting, and oratory Musical composition and performance Individual talents highlighted in this volume include miniature portraits by Mary Roberts, pastel likenesses by Henrietta Dering Johnston, stagecraft by Elizabeth Sampson Sullivan Ashbridge, basketry by Namumpum Weetamoo, dance by Mary Stagg, metalwork by blacksmith Elizabeth Hager Pratt, calligraphy by Anna “Anastasia” Thomas Wüster, city planning by Deborah Dunch Moody, poems and essays by Phillis Wheatley, and fabric design by Anne Pogue McGinty. Featuring appendices that list individuals by skill and by state—as well as a glossary that clarifies the parameters of genres—this volume is essential to the study of Colonial women’s art. Resurrecting the efforts of women to record, adorn, and illustrate the spirit of their times, American Colonial Women and Their Art is a valuable resource that will be of interest to students and scholars of gender and women’s studies, art history, and American history.

The first comprehensive history of Maine to be published in decades, Maine: The Pine Tree State surveys the region's rich history from prehistoric times to the early 1990s. Drawing on a team of twenty-six scholars with a professional interest in Maine's past, the book features fresh research and new interpretations of even familiar periods such as the Civil War. The chapter authors are respected authorities in Maine history from the fields of archaeology, anthropology, ethnic studies, and the various sub-disciplines of history: political, cultural, economic, labor, military, maritime. Certain themes recur from chapter to chapter and across historical periods. For example, larger structural changes in the nation - market trends, wars, economic fluctuations, demographic flows - strongly affected the everyday world of Maine people. Other prominent themes are the importance of geography and the environment in shaping Maine's economy and culture. Caught up at times in national events, Maine has also led the nation in important ways. Its fishing industry fed and its textile industry clothed the nation's people. Maine loggers contributed heavily to the technologies used in cutting, hauling, and driving timber. Maine excelled in the production of wooden ships and supplied the expertise to sail them. In the nineteenth century Maine's political leaders were among the most powerful in the nation, and Maine's contribution to social reform attracted national recognition.

An engaging guide to over 150 art museums and more throughout New England