GOOD MORNING AMERICA BOOK CLUB PICK • A young woman wins the role of a lifetime in a film about a legendary heroine—but the real drama is behind the scenes in this sumptuous historical epic from the New York Times bestselling author of Mexican Gothic. “Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia.”—Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo 1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination. But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart. Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

The Cold War was the first major conflict between superpowers in which victory and defeat were unambiguously determined without the firing of a shot. Without the shield of a strong, silent deterrent or the intellectual sword of espionage beneath the sea, that war could not have been won. John P. Craven was a key figure in the Cold War beneath the sea. As chief scientist of the Navy's Special Projects Office, which supervised the Polaris missile system, then later as head of the Deep Submergence Systems Project (DSSP) and the Deep Submergence Rescue Vehicle program (DSRV), both of which engaged in a variety of clandestine undersea projects, he was intimately involved with planning and executing America's submarine-based nuclear deterrence and submarine-based espionage activities during the height of the Cold War. Craven was considered so important by the Soviets that they assigned a full-time KGB agent to spy on him. Some of Craven's highly classified activities have been mentioned in such books as Blind Man's Bluff, but now he gives us his own insights into the deadly cat-and-mouse game that U.S. and Soviet forces played deep in the world's oceans. Craven tells riveting stories about the most treacherous years of the Cold War. In 1956 Nautilus, the world's first nuclear-powered submarine and the backbone of the Polaris ballistic missile system, was only days or even hours from sinking due to structural damage of unknown origin. Craven led a team of experts to diagnose the structural flaw that could have sent the sub to the bottom of the ocean, taking the Navy's missile program with it. Craven offers insight into the rivalry between the advocates of deterrence (with whom he sided) and those military men and scientists, such as Edward Teller, who believed that the United States had to prepare to fight and win a nuclear conflict with the Soviet Union. He describes the argument that raged in the Navy over the reasons for the tragic loss of the submarine Thresher, and tells the astonishing story of the hunt for the rogue Soviet sub that became the model for The Hunt for Red October -- including the amazing discovery the Navy made when it eventually found the sunken sub. Craven takes readers inside the highly secret DSSP and DSRV programs, both of which offered crucial cover for sophisticated intelligence operations. Both programs performed important salvage operations in addition to their secret espionage activities, notably the recovery of a nuclear bomb off Palomares, Spain. He describes how the Navy's success at deep-sea recovery operations led to the takeover of the entire program by the CIA during the Nixon administration. A compelling tale of intrigue, both within our own government and between the U.S. and Soviet navies, The Silent War is an enthralling insider's account of how the submarine service kept the peace during the dangerous days of the Cold War.

(Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos!

Hollywood's Silent Closet provides a banquet of information about the pansexual intrigues of Hollywood between 1919 and 1926, compiled from eyewitness interviews with men and women, all of them insiders, who flourished in its midst. Not for the timid, it names names and doesn't spare the guilty. If you believe, like Truman Capote, that the literary treatment of gossip will become the literature of the 21st century, then you will love Hollywood's Silent Closet. Hollywood's Silent Closet is a vivid portrait of the decadent, homosexual, and gossipy world of pre-talkie Hollywood. It's an Info-Novel where 90% of everything in it is true. It represents the greatest collection of star-studded scandal ever assembled on the film stars of Hollywood's Silent Era. Valentino, Ramon Novarro, Charlie Chaplin, Fatty Arbuckle, Pola Negri, Nazimova, and many others figure into eyewitness accounts of the debauched excesses that went on behind closed doors. It also documents the often tragic endings of America's first screen idols, some of whom admitted to being more famous than the monarchs of England and Jesus Christ combined. Many of the interviews that went into the compilation of this book were conducted between 1940 and 1974, as the subjects were nearing the end of their lives and were willing, at last, to reveal scandals and insights that had previously been repressed by their own fears and by the media machines of the studio system. Marriages of convenience are the norm as intra-male peccadillos (and lots of lesbian love, too) are swept under the potted palms of the Edwardian age. The hero of this tale is the amiably cross-dressing Durango Jones, a wide-eyed neophyte from Kansas, circa 1919, who hits Hollywood during its Pre-Code excesses, and stays for a sexual feast wherein the banquet consists of many of the era's most flamboyant sex symbols. And although technically, this title has been formatted as a novel rather than a straight-line biography, there's the sometimes disturbing sense that this book is genuinely historical as well as being a jolly and rollicking piece of very savvy entertainment. This is high-testosterone Hollywood at its most compulsively readable. The 60s didn't invent sex-the stars of the Silent Screen did. --Cruiser. Who slept with Mary Pickford's three husbands, her two brothers-in-law, and even her brother? The hero of Hollywood's Silent Closet, that's who! --Trova Roma.

GOOD MORNING AMERICA BOOK CLUB PICK • A young woman wins the role of a lifetime in a film about a legendary heroine—but the real drama is behind the scenes in this sumptuous historical epic from the New York Times bestselling author of Mexican Gothic. “Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia.”—Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo 1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination. But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart. Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

Ian Johnson's evaluation of Alwyn's film music places his achievement in the context of wider movements within the film industry. William Alwyn was a leading composer of British film music in the 1940s and '50s, a time when the British film industry was at its peak. His scores ranged from documentaries to almost 80 full-length feature films, including classics such as Fires were Started, Desert Victory, Odd Man Out, The Fallen Idol, and The History of Mr Polly; he was adept at any musical genre, from classical to cartoon slapstick, and in the process worked with legendary directors, including Carol Reed, David Lean, Humphrey Jennings, and Anthony Asquith. Alone with Vaughan Williams he was granted the distinction of a separate title credit; columnists mentioned him alongside Bliss, Bax and Walton. However, as the reputation of the British film industry declined in the 1950s, so musical snobbery against those who were its leading lights became unpleasantly raw. In recent years, however, with sensitive performances of hisfilm and concert music available on CD, this most appealing of composers has enjoyed something of a renaissance. In this long overdue reassessment, Alwyn's films are analysed and put into the context of his biography,the film industry, and of society at large: the author shows in particular this remarkably versatile composer developed a hitherto unrecognised grammar of film music which enhanced every film on which he worked. He also examines his work for war propaganda, radio, and the concert hall. The volume is enhanced by the most complete filmography, discography, and bibliography of the composer's works yet published, as well as listings of his concert and radio music.

Behind the Seventh Veil is the third in the Thomas Sebastian Scott Espionage Mystery series: #1 Flame--Artists, Hackers, Lovers, and Spies (2014); #2 The Lady is Bugged (2015). His friends feared him lost in the coup,But from Istanbul to Austria he flew.Please tell me more,Why the detour?A fraulein, methinks,to pursue?A long-lost erotic film discovered in Pittsburgh leading to the search for a descendent of Emperor Franz Josef of Austria, the disappearance of a rogue NSA cyber-spy in Turkey, a West Virginia artist witnessing a ritual Japanese suicide in New York, the assassination of a top general in Iran, a secret revealed from a youthful dalliance by a beloved priest, an airport bomb blast in Istanbul leading to incarceration in an ancient sanatorium, and a surprising conclusion involving an undercover British agent, an eager American intelligence analyst, and a return to the Austrian village of St. Wolfgang by Thomas Sebastian Scott.