Seven Plays By Sean O'casey

Seven Plays By Sean O'casey
Title Seven Plays By Sean O'casey PDF eBook
Author Sean O'Casey
Publisher Bloomsbury Publishing
Pages 585
Release 1985-10-14
Genre Performing Arts
ISBN 1349179779

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This edition of Sean O'Casey's major plays is designed specifically for students and teachers. The plays are supported by a full introduction, covering O'Casey's career and critical responses to the plays, full notes and a bibliography.

Seven Plays

Seven Plays
Title Seven Plays PDF eBook
Author Sean O'Casey
Publisher
Pages 608
Release 1985
Genre Drama
ISBN

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The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.

Selected Plays of Sean O'Casey

Selected Plays of Sean O'Casey
Title Selected Plays of Sean O'Casey PDF eBook
Author Sean O'Casey
Publisher
Pages 876
Release 1954
Genre English drama
ISBN

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Seven Plays

Seven Plays
Title Seven Plays PDF eBook
Author Sean O'Casey
Publisher
Pages 618
Release 1985
Genre Drama
ISBN

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The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.

Seven Plays By Sean O'casey

Seven Plays By Sean O'casey
Title Seven Plays By Sean O'casey PDF eBook
Author Sean O'Casey
Publisher Red Globe Press
Pages 0
Release 1985-10-14
Genre Performing Arts
ISBN 0333364317

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The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.

Three Plays

Three Plays
Title Three Plays PDF eBook
Author Sean O'Casey
Publisher
Pages 218
Release 1957
Genre English drama
ISBN

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Appropriations of Irish Drama in Modern Korean Nationalist Theatre

Appropriations of Irish Drama in Modern Korean Nationalist Theatre
Title Appropriations of Irish Drama in Modern Korean Nationalist Theatre PDF eBook
Author Hunam Yun
Publisher Taylor & Francis
Pages 264
Release 2022-09-09
Genre Drama
ISBN 1000653234

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This book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.