This edition of Sean O'Casey's major plays is designed specifically for students and teachers. The plays are supported by a full introduction, covering O'Casey's career and critical responses to the plays, full notes and a bibliography.

The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.

The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.

This Critical Companion to the work of one of Ireland's most famous and controversial playwrights, Sean O'Casey, is the first major study of the playwright's work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O'Casey's most famous plays are associated, it provides a clear and detailed study of the work in context and performance. James Moran shows that O'Casey not only remains the most performed playwright at Ireland's national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the 'Troubles' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran's admirably clear study considers the writer's plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work.

The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.

This book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.