China today is sexually (and in many other ways) a very repressive so ciety, yet ancient China was very different. Some of the earliest surviving literature of China is devoted to discussions of sexual topics, and the sexual implications of the Ym and Yang theories common in ancient China continue to influence Tantric and esoteric sexual practices today far dis tant from their Chinese origins. In recent years, a number of books have been written exploring the history of sexual practices and ideas in China, but most have ended the discussion with ancient China and have not continued up to the present time. Fang Fu Ruan first surveys the ancient assumptions and beliefs, then carries the story to present-day China with brief descriptions of homosexuality, lesbianism, transvestism, transsexualism, and prostitution, and ends with a chapter on changing attitudes toward sex in China today. Dr. Ruan is well qualified to give such an overview. Until he left China in the 1980s, he was a leader in attempting to change the repressive attitudes of the government toward human sexuality. He wrote a best selling book on sex in China, and had written to and corresponded with a number of people in China who considered him as confidant and ad visor about their sex problems. A physician and medical historian, Dr. Ruan's doctoral dissertation was a study of the history of sex in China.

Eighteen-year-old Kwan Saihung, a Taoist ascetic in 1940's China, must choose between conflicting loyalties to his temple and to his best friend

The essential Taoist guide to living with simplicity, compassion, and integrity This is a book that draws on ancient Chinese wisdom to explore the critical life issues: What is our place in nature? How do we make right decisions? How do we respect the earth? How are we to view life and death? What is the path we should live to truly achieve a good and meaningful life? For Deng Ming-Dao, the two entry points for this exploration are two words: The first is the Chinese word for “heart”— which means heart, mind, intention, center, core intelligence, and soul. And the second is the word beauty—which connotes the pleasure we take in art, design, fashion, and music. Our hearts love beauty, and beauty opens our hearts. In this profound collection of fresh and contemporary translations of ancient texts, Deng Ming-Dao gathers over 220 selections that deal with the essence of heart and beauty. Topics include: how to be great, how long it takes to follow your heart, how to bring order to the world, how to know everything, how to pacify the heart, and much more. Here are stories, fables, poems, and epigrams that delight, inspire, and inform. Those who would subdue people through their own “excellence” Have yet to subdue anyone. But if you used excellence to nurture people instead, The whole world would be subdued. No one has become ruler of all under heaven Without subdued hearts. It has never happened.

Taoism is an ancient Chinese philosophy that emphasizes living in harmony with the universe. It is a tradition that has become widely popular in Europe and North America over the past fifty years—largely through its core text, the Tao Te Ching. The Wisdom of the Tao is filled with over 140 ancient stories express great truth by fusing anecdotes with philosophy. The stories are frequently humorous, ribald, irreverent, or sarcastic—but they always speak to great and universal truths. Here are stories that lead people to: Flow with life Live from the heart Develop an openness to possibilities Live in balance Drop expectations Embrace acceptance The wisdom here fills a universal need. We need stories. They help us make sense of who we are and how we got here. They keep us sane as we try to absorb our experiences, our aging, and our emotions. Stories help us visualize the future by taking the messages of yesterday and helping us get tomorrow right.

Martial Arts Biographies: An Annotated Bibliography lists hundreds of martial arts related biographies and autobiographies. Most of the entries are annotated, giving a synopsis of the relevant material in the book. Included are listings for martial artists of Karate, Kung Fu, Aikido, Judo, Jiu Jitsu, Tae Kwon Do, Ninjutsu, Tai Chi, and many other styles. Appendices list productive sources for new and used books, and contact information for major publishers of martial arts books. Martial Arts Biographies: An Annotated Bibliography is a useful resource for martial arts researchers, readers, book collectors, and libraries.

Chinese traditions of Confucianism, Daoism, and Buddhism have a profoundly philosophical dimension. The three traditions are frequently referred to as three paths of moral teachings. In this book, Mou provides a clear account of the textual corpus that emerges to define each of these traditions and how this canonical axis was augmented by a continuing commentarial tradition as each generation reauthorized the written core for their own time and place. In his careful exegesis, Mou lays out the differences between the more religious reading of these traditions with their defining practices that punctuate the human journey through life, and the more intellectual and philosophical treatment of the texts that has and continues to produce a first-order culture of annotation that become integral to the traditions themselves. At the center of the alternative religious experience reflected throughout the teachings of Confucianism, Daoism, and Buddhism is the project of personal cultivation as it comes to be expressed as robust growth in family and communal relations. For Mou, these three highly distinctive and yet complementary ways of thinking and living constitute a kind of moral ecology, wherein each of them complements the others as they stand in service to a different dimension of the human need for an educated spirituality.

The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in murals painted on cave walls or carved in relief on Buddhist monuments depict celestial journeys, bodily metamorphoses, cycles of rebirth, and the achievement of nirvana. Yet the cosmos revealed in these tableaux is strikingly different from that found in the text of the sutra. Shaping the Lotus Sutra explores this visual world. Challenging long-held assumptions about Buddhist art, Eugene Wang treats it as a window to an animated and spirited world. Rather than focus on individual murals as isolated compositions, Wang views the entire body of pictures adorning a cave shrine or a pagoda as a visual mapping of an imaginary topography that encompasses different temporal and spatial domains. He demonstrates that the text of the Lotus Sutra does not fully explain the pictures and that a picture, or a series of them, constitutes its own "text." In exploring how religious pictures sublimate cultural aspirations, he shows that they can serve both political and religious agendas and that different social forces can co-exist within the same visual program. These pictures inspired meditative journeys through sophisticated formal devices such as mirroring, mapping, and spatial programming - analytical categories newly identified by Wang. The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world. The book is ultimately a history of the Chinese imagination. Read an interview with the author: http: //dgeneratefilms.com/cinematalk/cinematalk-interview-with-professor-eugene-wang-on-chinese-art-and-film/