An analysis of the noted painting "Sunday on La Grande Jette, 1884" by French painter Georges Seurat. The discussion includes information on technique and meaning of the painting.

Ages 8 to 12 years. Based on Victorian era peep shows, this unique book has die-cut layers attached to accordion sides which expand to let the viewer see George Pierre Seurat's 1884 masterpiece, A Sunday on La Grande Jatte, from a whole new perspective -- three-dimensionally.

(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine

Painted in 1884, La Grande Jatte ushered in the age of the Neo-Impressionists and stands as one of the grand examples of pointillism. Seurat filled his large-scale work with numerous hidden messages and you can use this pocket-sized notebook to jot down your own big ideas, important appointments, phone numbers, and more. Includes 64 blank pages.

A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.

"This collection of the most influential of Herbert's writings on Seurat, long out of print, bear out the praise he has received for "his ability to mix a deep knowledge of paintings and drawings as physical objects with an acute awareness of the way they embody ideas and can be understood as social documents". This book will appeal both to the general reader and to the student of French nineteenth-century art."--BOOK JACKET.