His name was Horace Wrinch. It was 1880. He was 14 years old, a farmer's boy from England travelling on his own to Quebec. Twenty years later, a qualified doctor and surgeon, he arrived in Hazelton on the Skeena River in northern British Columbia as a Canadian citizen. At this time the northern interior of the province had no qualified doctors, no surgeons and no hospitals. In 1904 Horace built the first hospital in the northern interior. Over the next thirty-six years he became widely respected as a doctor and surgeon, hospital administrator, medical missionary, Methodist minister, magistrate, farmer, community leader and progressive politician. Ever innovative, he instituted a form of health insurance for the Hazelton community as early as 1908. In the 1920s, he was a two-term president of the newly established British Columbia Hospital Association and a two-term Liberal Member of the Provincial Legislature for the Skeena riding. While in the Legislature, he championed publicly funded health insurance. Upon his death in 1939, he was called "the most influential and best liked man that ever blessed this district with his presence." Drawn almost entirely from original and contemporaneous sources, this is the previously untold story of a remarkable British Columbian.

Award-winning popular historians Fred Thirkell and Bob Scullion have assembled an all-new collection of postcard views capturing different communities around British Columbia as they appeared at the turn of the 20th century. Collectively defining the state of affairs in BC a century ago, each one of these images has a story to tell. Once a thriving cannery town, Port Essington is now long gone, abandoned and then destroyed by forest fires. They may have mined millions of dollars in gold at Stout's Gulch, but you'll have trouble finding it on any maps today. Even Kelowna's main street is unrecognizable. With each passing year, it becomes more difficult to find rare and unusual black-and-white printed postcards from this period. Many of the ones Thirkell and Scullion have included in "Greetings from British Columbia" are themselves rare, borrowed from the collection of a pre-eminent postcard dealer without whose cooperation this new collection would not have been possible.

This book depicts the west coast of British Columbia in all its glory. The distinctive peeling bark on the trunk of an arbutus tree. Towering Sitka spruce trees. Migrating sandpipers in Clayoquot Sound. A grizzly bear feeding on pink salmon near Knight Inlet Lodge. Author/photographer Chris Cheadle walked the streams of the rainforests, kayaked to remote beaches, sailed the inlets, explored the islands and listened to the wisdom of First Nations elders to capture these striking images.

“Graceful yet precise, poetic yet deeply rooted in research, this exploration of an overlooked painter is gorgeous — a joy to read. Molly Peacock’s insights and empathy with her subject bring to life both Mary Hiester Reid and her luscious flower paintings.” — Charlotte Gray, author of The Massey Murder Molly Peacock uncovers the history of neglected painter Mary Hiester Reid, a trailblazing artist who refused to choose between marriage and a career. Born into a patrician American family in the middle of the nineteenth century, Mary Hiester Reid was determined to be a painter and left behind women’s design schools to enter the art world of men. After she married fellow artist George Reid, she returned with him to his home country of Canada. There she set about creating over 300 stunning still life and landscape paintings, inhabiting a rich, if sometimes difficult, marriage, coping with a younger rival, exhibiting internationally, and becoming well-reviewed. She studied in Paris, traveled in Spain, and divided her time between Canada and the United States where she lived among America’s Arts and Crafts movement titans. She left slender written records; rather, her art became her diary and Flower Diary unfolds with an artwork for each episode of her life. In this sumptuous and precisely researched biography, celebrated poet and biographer Molly Peacock brings Mary Hiester Reid, foremother of painters such as Georgia O’Keefe, out of the shadows, revealing a fascinating, complex woman who insisted on her right to live as a married artist, not as a tragic heroine. Peacock uses her poet’s skill to create a structurally inventive portrait of this extraordinary woman whom modernism almost swept aside, weaving threads of her own marriage with Hiester Reid’s, following the history of empathy and examining how women manage the demands of creativity and domesticity, coping with relationships, stoves, and steamships, too. How do you make room for art when you must go to the market to buy a chicken for dinner? Hiester Reid had her answers, as Peacock gloriously discovers.

This volume examines Tsimshian culture from the prehistoric period to the recent past and includes contributions from such diverse perspectives as archaeology, linguistics, and social anthropology. The contributors demonstrate a balance between current fieldwork and careful archival analysis, as they build on the voluminous materials that are a legacy of the scholarship of such major figures as Boas, Barbeau, Tate, and Garfield. The book includes chapters on the crest system and participation of the Tsimshian in the 'non-Native' economy of the region and introduces much original material on shamanism, basket making, and feasting.

This highly illustrated commemorative volume chronicles the full century of the Canadian navy as a proud national institution. Comprehensive coverage includes the origins of the Canadian navy in 1867, both world wars, the Korean conflict, the postwar period, and a look at the navy of the future.

In The Sacred Headwaters, a collection of photographs by Carr Clifton and members of the International League of Conservation Photographers - including Claudio Contreras, Paul Colangelo, and Wade Davis - portray the splendour of the region. These photographs are supplemented by images from other professionals who have worked here, including Sarah Leen of the National Geographic.