Sermons of Martin Luther for Feasts and Saints days never before available in English. A perfect companion to the Klug (House Postils) and Lenker (Church Sermons) collections of Luther's Sermons.

Martyrs have long played a vital role in Christian life, thought, theology, and piety. Robert Kolb, an acknowledged authority on the history of the Lutheran Reformation in Germany, offers a thorough and illuminating analysis of the way German Lutherans changed the perceptions of martyrdom and sainthood. Protestant reformers professed that providential power over daily human life was reserved for God alone, and that mediation with God is provided by Jesus Christ alone. Martyrs and saints could no longer be worshiped or act as intercessors. But this did not mean their absence from the faith and piety of sixteenth-century Protestants. Instead, holy people were regarded as those who confessed the word and in that confession demonstrated and advertised the power of God. This book arose in response to some vexing questions: Why is the first of a long and distinguished line of Protestant martyrologists, Ludwig Rabus, the least noted? Why would he, a German Lutheran, have composed a book of martyrs? Kolb suggests that the answers are complex—they involve differences in historical and political situations and in specific dogmatic emphases of each reformation. Kolb’s diligent research led him well beyond Rabus’s martyrbook. His work encompasses material from the writings and biographies of Luther and Melanchthon, Wittenberg chronicles and calendars, and hymns and songs. The analysis of this material makes a significant contribution to the understanding of the Lutheran Reformation and of the changing roles of saints and martyrs in the history of Christianity.

Winner of the 2011 SCSC Bainton Prize for Reference Works The “canon” of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of “marginal” figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its “marginal” manifestations, we draw mysticism—in all its complex iterations—back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara E. Herrera, Darcy Donahue, Elena del Río Parra, Evelyn Toft, Fernando Durán López, Francisco Morales, Freddy Domínguez, Glyn Redworth, Jane Ackerman, Jessica Boon, José Adriano de Freitas Carvalho, Luce López-Baralt, María Carrión, Maryrica Lottman, and Tess Knighton.