Michael A. Morgan translates Mordecai Margaliath’s text of Sepher Ha-Razim, a fourth century CE magical text, into English. Sepher Ha-Razim includes a story about the book’s transmission from the angel Raziel to Noah eventually down to Solomon, six sections describing the nature, function, magical praxis and angelic inhabitants of six of the heavens, and the divine throne in the seventh heaven. With parallels to Talmudic passages, Enochic literature, and Hekhaloth literature, Sepher Ha-Razim sheds light on Greco-Roman magic in general and more specifically Jewish life in the early centuries CE.

Michael A. Morgan translates Mordecai Margaliath’s text of Sepher Ha-Razim, a fourth century CE magical text, into English. Sepher Ha-Razim includes a story about the book’s transmission from the angel Raziel to Noah eventually down to Solomon, six sections describing the nature, function, magical praxis and angelic inhabitants of six of the heavens, and the divine throne in the seventh heaven. With parallels to Talmudic passages, Enochic literature, and Hekhaloth literature, Sepher Ha-Razim sheds light on Greco-Roman magic in general and more specifically Jewish life in the early centuries CE.

Sepher Rezial Hemelach is the longawaited first English translation of this famous magical text a translation from the ancient Hebrew in the rare and complete 1701 Amsterdam edition. According to Hebrew legend, the Sepher Rezial was presented to Adam in the Garden of Eden, given by the hand of God, and delivered by the angel Rezial. The myth thus suggests that this is the first book ever written, and of direct divine provenance. A diverse compendium of ancient Hebrew magical lore, this book was quite possibly the original source for later, traditional literature on angelic hierarchy, astrology, Qabalah, and Gematria. Moses Gaster mentions this in his introduction to The Sword of Moses (1896) suggesting that the Sepher Rezial could be a primary source for many magic and qabalistic books of the Middle Ages. Sepher Rezial Hemelach is a compilation of five books: "The Book of the Vestment," "The Book of the Great Rezial," "The Holy Names," "The Book of the Mysteries," and "The Book of the Signs of the Zodiac." It includes extensive explanatory text on the holy names of God, the divisions of Heaven and Hell, the names and hierarchy of the angels and spirits, as well as symbolic interpretations of both the Book of Genesis and Sepher Yetzirah. It also includes material on astronomy, astrology, gematria, and various magical talismans, most notably those used for protection during childbirth. In his introduction, Steve Savedow details the history, bibliographical citations, and lineage of this famous work. He lists the old and rare manuscripts still in existence, and provides a bibliography of other reference works for study of the Western esoteric tradition.

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.

Preliminary Material /Ithamar Gruenwald -- Two Essential Qualities of Jewish Apocalyptic /Ithamar Gruenwald -- The Mystical Elements in Apocalyptic /Ithamar Gruenwald -- The Attitude Towards the Merkavah Speculations in the Literature of the Tannaim and Amoraim /Ithamar Gruenwald -- The Hekhalot Literature /Ithamar Gruenwald -- Introduction /Ithamar Gruenwald -- Reʾuyot Yeḥezkel /Ithamar Gruenwald -- Hekhalot Zutreti /Ithamar Gruenwald -- Hekhalot Rabbati /Ithamar Gruenwald -- Merkavah Rabbah /Ithamar Gruenwald -- Maʻaseh Merkavah /Ithamar Gruenwald -- 'Hekhalot ' Fragments /Ithamar Gruenwald -- Seper Hekhalot (3 Enoch) /Ithamar Gruenwald -- Masekhet Hekhalot /Ithamar Gruenwald -- Shjʻur Qomah /Ithamar Gruenwald -- Physiognomy, Chiromancy and Metoposcopy /Ithamar Gruenwald -- Seper Ha-Razim /Ithamar Gruenwald -- Appendices /Saul Lieberman -- Indices /Ithamar Gruenwald.

Gideon Bohak gives a pioneering account of the broad history of ancient Jewish magic, from the Second Temple to the rabbinic period. It is based both on ancient magicians' own compositions and products in Aramaic, Hebrew and Greek, and on the descriptions and prescriptions of non-magicians, to reconstruct a historical picture that is as balanced and nuanced as possible. The main focus is on the cultural make-up of ancient Jewish magic, and special attention is paid to the processes of cross-cultural contacts and borrowings between Jews and non-Jews, as well as to inner-Jewish creativity. Other major issues explored include the place of magic within Jewish society, contemporary Jewish attitudes to magic, and the identity of its practitioners. Throughout, the book seeks to explain the methodological underpinnings of all sound research in this demanding field, and to highlight areas where further research is likely to prove fruitful.