Doris Day, once called an Actors Studio unto herself, was one of the twentieth century's greatest entertainers, with a career spanning 39 films, more than 150 television shows, and more than 500 recordings. This work covers the life and career of the singer and star of such films as Pillow Talk, The Man Who Knew Too Much and Calamity Jane. The work is divided into four sections, beginning with a biography of Day's life from her birth in Cincinnati, Ohio, through four marriages, near-bankruptcy, and her dedication to animal rights, and concluding with her contented present life. A filmography lists each film with full credits, synopsis and reviews, plus her popularity rankings and awards. The third section lists complete record album releases with notes, single record releases, unreleased songs and recordings, music awards and nominations, radio appearances from big bands to solo work, her seven million-sellers, and chart placements. The final section lists Day's television appearances, including synopses and credits for her five-season run with The Doris Day Show on CBS, the cable show Doris Day's Best Friends, and her appearances in variety specials, talk shows, and documentaries.

'Love is nothing without feeling. And feeling is still less without love.' Celebrated in its own day as the progenitor of 'a school of sentimental writers', A Sentimental Journey (1768) has outlasted its many imitators because of the humour and mischievous eroticism that inform Mr Yorick's travels. Setting out to journey to France and Italy he gets little further than Lyons but finds much to appreciate, in contrast to contemporary travel writers whom Sterne satirizes in the figures of Smelfungus and Mundungus. A master of ambiguity and double entendre, Sterne is nevertheless as concerned as his peers with exploring the nature of virtue; unlike other writers of sentimental fiction Sterne insists on the inseparability of desire and feeling. This new edition includes a selection from The Sermons of Mr Yorick, which shed light on the concerns of the Journey, The Journal to Eliza, which records Sterne's feelings as he languishes for the company of Eliza Draper, and A Political Romance, the satire on a local ecclesiastical squabble that was the catalyst for Sterne's literary career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Lahore, First Published In 1993, Is Pran Nevile S Tribute To The Land Of His Birth. Grounded In Memory And Redolent With Nostalgia, Nevile S Reminiscences Transport The Reader Into The Heart Of Lahore As It Was In The 1930S And 40S A City Bustling With Activity Where People Coexisted Harmoniously, Unfettered By Considerations Of Religion, Region Or Caste. From The Riotous Seasonal Festivities Of Kite-Flying To Clandestine Love-Affairs Upon Rooftops, From Matinee Shows At The Cinema To Twilight Hours Spent Amongst The Bejewelled Dancing Girls Of Hira Mandi, Lahore Emerges As A City Of Mesmerizing Contradictions And Chaotic Splendour. The Author Underscores The Contrast Between Pre- And Post-Partition Lahore, And The Sense Of Pain, Loss And Longing For One S Homeland Experienced By The Displaced Millions In India And Pakistan Is Palpable. Evocative And Informative, Lahore Is At Once Social Commentary, Historical Documentation And Memoir.

A group of determined men and women--scientist Kitty Kincaid, U.S. Army major J.R. Cassidy, pilot Charlotte Morrison, small-town Texan Red Walker, and Royal Air Force ace George "Skip" Inskip--finds adventure and passion against the backdrop of World War II.

In this latest foray into the ailing American psyche, Joan Didion takes her scalpel to inauthenticity and dogma, and lays bare the discrepancies between urban realities and the images peddled by America's attendant quack doctors. Like its great predecessors, 'Slouching Towards Bethlehem' and 'The White Album', 'Sentimental Journeys' is a thoroughly astringent, bracing report on the State of the Union.

Airborne is how William F. Buckley, Jr. describes his sail across the wide Atlantic with his son and five friends. The trip, for fifteen years a dream, for fifteen months a planned operation, was always a risk: one doesn’t set out haphazardly in a small sailboat across 4,400 miles of ocean, and Buckley’s account of perils of the sea as experienced by himself since he acquired his first sailboat at age thirteen is at once graphic, instructive, and terrifying. But, we learn quickly, the concern is mostly for the prospect of thirty days and thirty nights away from the cosmopolitan jungle to which he and his friends are accustomed; their lair, so to speak. But it happened: notwithstanding vicissitudes amusing, annoying, and even dangerous, suddenly the schooner, and the entire trip, were airborne, and the experience resulted in a fusion of hopes, fears, ambitions, and pleasures that lifts the book from the category of mere chronicles of the sea, into a chronicle of our time, a passage of the spirit.

Alfred Jacob Miller (1810-1874) was the first artist to journey into the heart of the Rocky Mountains. He did so as the commissioned expedition artist for William Drummond Stewart (1795-1871), a Scottish nobleman and veteran of a five-year hunting tour in America. Their destination would be the annual fur traders' rendezvous at Horse Creek, near the present-day border of Colorado and Wyoming. Miller, Stewart, and the rest of their party departed from Independence, Missouri, in mid-May 1837. They arrived at the rendezvous two months later and, after a week among the trappers and traders, headed into the Wind River Mountains to the source of the Green River. There, they spent the waning summer hunting moose and elk before returning to St. Louis in early October. Miller executed some one hundred watercolor and pen-and-ink sketches during the expedition, and he later reworked them into finished watercolors and oils for a variety of patrons. Over the past two decades, much valuable scholarship has emerged on how western American art has reflected American nationalist or expansionist ideologies. In Sentimental Journey: The Art of Alfred Jacob Miller, Lisa Strong takes a new approach, however, by examining how Miller tailored his western scenes to suit the specific needs and interests of local American audiences. She also crosses national boundaries to explore how Miller's paintings helped promote a vision of Scottish aristocratic identity.