As the owners of the Raven’s Nest bookstore, cousins Stephanie and Clara Quinn are the premier booksellers in the quaint town of Finn’s Harbor, Maine. But with Clara’s inherited ability to read minds and see the future, she’s also the premier crime solver… You don’t have to be a psychic to know: The rodeo is coming to town! Clara’s boyfriend, Rick Sanders, invites her to the show to meet his high school buddy and expert calf roper, Wes Carlton. But when Clara’s Quinn Sense offers her a disturbing vision involving a rodeo clown, she worries that there will be more danger at the rodeo than just the traditional bucking bronco. Of course, her premonition turns out to be accurate, and a dead body is discovered behind the concert stage, strangled by Wes’s piggin’ string. Rick is sure that there’s no way Wes could have murdered anyone, but he’s going to need Clara’s Quinn Sense to keep the authorities from roping the wrong suspect...

"I can't believe I ate a seal. And really enjoyed it." Moments after venture capitalist Gloria Baradaran experiences what it's like to be a polar bear -- really be a polar bear -- she knows she's found something revolutionary. Farley Rutherford and his team -- migraine-tortured neurologist "Chopper" Vittori and uber-geek engineer Ringo Hayes -- have created sensory saturation, a virtual reality system that drops users into the psyches of endangered animals as they fight for survival, and they believe the profound experience could turn the indifferent masses into avid environmentalists. The Sensory Deception is a mind-blowing, globe-trotting ride that will take listeners from cutthroat Silicon Valley boardrooms to pirate ships off the Somali coast to the devastated rain forests of the Amazon, all to ask the question: What is a human life worth compared to that of an entire planet?

Descartes' Meditations on First Philosophy has proven to be not only one of the canonical texts of Western philosophy, but also the site of a great deal of interpretive activity in scholarship on the history of early modern philosophy over the last two decades. David Cunning's monograph proposes a new interpretation, which is that from beginning to end the reasoning of the Meditations is the first-person reasoning of a thinker who starts from a confused non-Cartesian paradigm and moves slowly and awkwardly toward a grasp of just a few of the central theses of Descartes' system. The meditator of the Meditations is not a full-blown Cartesian at the start or middle or even the end of inquiry, and accordingly the Meditations is riddled with confusions throughout. Cunning argues that Descartes is trying to capture the kind of reasoning that a non-Cartesian would have to engage in to make the relevant epistemic progress, and that the Meditations rhetorically models that reasoning. He proposes that Descartes is reflecting on what happens in philosophical inquiry: we are unclear about something, we roam about using our existing concepts and intuitions, we abandon or revise some of these, and then eventually we come to see a result as clear that we did not see as clear before. Thus Cunning's fundamental insight is that Descartes is a teacher, and the reader a student. With that reading in mind, a significant number of the interpretive problems that arise in the Descartes literature dissolve when we make a distinction between the Cartesian and non-Cartesian elements of the Meditations, and a better understanding of surrounding texts is achieved as well. This important volume will be of great interest to scholars of early modern philosophy.

Throughout their lives animals must complete many tasks, including finding food, avoiding predators, attracting mates, and navigating through a complex and dynamic environment. Consequently, they have evolved a staggering array of sensory organs that are fundamental to survival and reproduction and shape much of their evolution and behaviour. Sensory ecology deals with how animals acquire, process, and use information in their lives, and the sensory systems involved. It investigates the type of information that is gathered by animals, how it is used in a range of behaviours, and the evolution of such traits. It deals with both mechanistic questions (e.g. how sensory receptors capture information from the environment, and how the physical attributes of the environment affect information transmission) and functional questions (e.g. the adaptive significance of the information used by the animal to make a decision). Recent research has dealt more explicitly with how sensory systems are involved with and even drive evolutionary change, including the formation of new species. Sensory Ecology, Behaviour, and Evolution provides a broad introduction to sensory ecology across a wide range of taxonomic groups, covering all the various sensory modalities (e.g. sound, visual, chemical, magnetic, and electric) relating to diverse areas spanning anti-predator strategies, foraging, mate choice, navigation and more, with the aim being to illustrate key principles and differences. This accessible textbook is suitable for senior undergraduates, graduate students, and professional academics taking courses or conducting research in sensory ecology/biology, neuroethology, behavioural and evolutionary ecology, communication, and signalling. It will also be of relevance and use to psychologists interested in sensory information and behaviour.

Winner, 2011 Jean-Pierre Barricelli Prize, International Conference on Romanticism This book explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory. Orrin N. C. Wang explains how themes of sensation and sobriety, along with Marxist-related ideas of revolution and commodification, set the terms of narrative surrounding the history of Romanticism as a movement. The book is both polemical and critical, engaging in debates with modern thinkers such as Paul de Man, Jacques Derrida, Walter Benn Michaels, and Slavoj Žižek, as well as presenting fresh readings of late eighteenth- and early nineteenth-century writers, including Wordsworth, Kant, Shelley, Byron, Brontë, and Keats. Romantic Sobriety combines deeply complex, close readings with a broader reflection on Romanticism and its implications for literary study. It will interest scholars who study Romanticism from a number of perspectives, including those interested in bodily and social consumption, the roles of addiction and abstinence in literature, the connection between literary and visual culture, the intersection of critical theory and Romanticism, and the relationships among language, historical knowledge, and political practice.

Psychopathology lies at the centre of effective psychiatric practice and mental health care, and Fish's Clinical Psychopathology has shaped the training and clinical practice of psychiatrists for over fifty years. The fourth edition of this modern classic presents the clinical descriptions and psychopathological insights of Fish's to a new generation of students and practitioners. It includes recent revisions of diagnostic classification systems, as well as new chapters that consider the controversies of classifying psychiatric disorder and the fundamental role and uses of psychopathology. Clear and readable, it provides concise descriptions of the signs and symptoms of mental illness and astute accounts of the varied manifestations of disordered psychological function, and is designed for use in clinical practice. An essential text for students of medicine, trainees in psychiatry and practising psychiatrists, it will also be useful to psychiatric nurses, mental health social workers and clinical psychologists.