Welcome to the social and environmental devastation that is Britain in 1996. Welcome to interchangeable political parties and their chattering media jesters pulling together to make Johnny Rotten's dream come true: no future. But despite their best efforts, fear, cynicism and the National Lottery aren't the whole story. Protest hasn't disappeared during the last twenty years, and nor have solidarity and imagination. They have simply taken new forms; they have moved out and moved on. More and more people, young people especially, are making a virtue of necessity and living outside Britain's rotting institutional fabric. Travellers, tribes, ravers or squatters, direct-action protesters of every kind, DIYers. This book is the first attempt to write their history, to explore and celebrate their endlessly creative senselessness. George McKay looks back at the hippies of the sixties and punks of the seventies, and shows hot their legacies have been transformed into what he calls cultures of resistance. His journey through the undergrounds of the last two decades takes us from the Windsor Free Festival of 1972 to the Castlemorton Free Rave Megaparty exactly twenty years later, from the anarchopunk band Crass via Teepee Valley and Glastonbury to today's ever-intensifying anti-road protests, and to the widespread opposition to the Criminal Justice Act. Drawing on fanzines and free papers, record lyrics, interviews and diaries, Senseless Acts of Beauty gives a vivid, insider account of countercultures, networks and movements that until now have remained largely unrecorded. At the same time, George McKay analyses their effects, and gives his own answers to the questions they pose: what are their politics, their aspirations, their consequences? One thing is certain, he argues: if there is resistance anywhere in Britain today, then it is here, in the beat-up buses, beleaguered squats and tree-top barricades, that we should start to look for it.

This modern allegory inspires taking joyful steps to end hatred and violence. In the playful style of twelfth-century Japanese picture scrolls, Mayumi Oda's art depicts humans as animals who lose their way when their leaders become confused and drawn to violence. It is up to each individual—the frog who plants a garden, the cat who supports an elderly neighbor—to create a better world through simple acts of kindness. This timeless parable for readers of all ages expands upon the idea that we can all become agents of goodness and beauty. Winner of the 2016 Independent Publishers Gold Medal.

A new novel of women's friendship from the beloved author of Random Acts of Kindness that will appeal to fans of Kristin Hannah, Luanne Rice, and Karen White. A towel with a faded camp logo is the only clue that fourteen-year-old Sadie Tischler has to the identity of her birth mother. With her family life in upheaval, the reckless teenager runs away to the Adirondack camp, determined to find her mother and force her to take responsibility for the child she'd so callously given up. Tess Hendrick has a secret. For years, she has been following the life of the daughter she gave up for adoption, firmly believing that Sadie has a better home than she could have ever provided. Now, with Sadie on the run, Tess has no choice but to rush back to the hometown she swore never to set foot in again. But Tess's unexpected return has stirred up old memories, probing questions, and a dangerous investigation. The only way Tess can protect her daughter is to hide the ugly truth about the past-and deny, at all costs, that Sadie is hers. In this deeply moving new novel from Lisa Verge Higgins, the unbreakable bonds of family unknowingly guide two strangers in making difficult choices, adapting to momentous changes, and finally finding their way home again.

A parable of hope and peace for all ages With beautifully crafted words and exuberant watercolor illustrations, Random Kindness and Senseless Acts of Beauty offers a poetic and empowering message for world peace. Recognizing "we are right on the edge of destroying ourselves," this modern allegory inspires taking joyful steps to end violence. It expands upon the idea that "we are all in the circle together," and presents a timeless parable for readers of all ages. The Haiku-like text delivers a call to "make a new earth grow beneath our feet." In the playful style of 12th century Japanese picture scrolls, Mayumi Oda's art depicts humans as animals who lose their way when their leaders become confused and drawn to violence. It is up to each individual? The frog who plants a thriving garden, the cat who supports an elderly neighbor as they walk?to create a better world through simple acts of kindness. The message of this book is the sweet realization that each person can become an agent of goodness and beauty. This thirtieth-anniversary, full-color edition, begins with the foreword by the late, venerable peacemaker Desmond Tutu.

Our language is full of hundreds of quotations that are often cited but seldom confirmed. Ralph Keyes's The Quote Verifier considers not only classic misquotes such as "Nice guys finish last," and "Play it again, Sam," but more surprising ones such as "Ain't I a woman?" and "Golf is a good walk spoiled," as well as the origins of popular sayings such as "The opera ain't over till the fat lady sings," "No one washes a rented car," and "Make my day." Keyes's in-depth research routinely confounds widespread assumptions about who said what, where, and when. Organized in easy-to-access dictionary form, The Quote Verifier also contains special sections highlighting commonly misquoted people and genres, such as Yogi Berra and Oscar Wilde, famous last words, and misremembered movie lines. An invaluable resource for not just those with a professional need to quote accurately, but anyone at all who is interested in the roots of words and phrases, The Quote Verifier is not only a fascinating piece of literary sleuthing, but also a great read.

By moving beyond traditional aesthetic categories (beauty, the sublime, the religious), Eco-Aesthetics takes an inter-disciplinary approach bridging the arts, humanities and social sciences and explores what aesthetics might mean in the 21st century. It is one in a series of new, radical aesthetics promoting debate, confronting convention and formulating alternative ways of thinking about art practice. There is no doubt that the social and environmental spheres are interconnected but can art and artists really make a difference to the global environmental crisis? Can art practice meaningfully contribute to the development of sustainable lifestyles? Malcolm Miles explores the strands of eco-art, eco-aesthetics and contemporary aesthetic theories, offering timely critiques of consumerism and globalisation and, ultimately, offers a possible formulation of an engaged eco-aesthetic for the early 21st century.