Sempe has created a world above and beyond specific cultural and political references, a world all of his own, one populated by long-faced, aquiline-nosed depressives - psychoanalysts, housewives, and concert pianists."

The second collection of Semp's cartoons to be published in France features some of his favorite subjects: hapless tourists, pipe-smoking novelists, and unruly schoolchildren.

In his most recent collections of cartoons, Semp turns his attention to the trappings of modern life, from mobile phones to designer water. Each volume in the collection contains about 100 illustrations.

One foot, two feet One mouse, three mice One goose, four geese In this clever counting book, die-cut windows frame a single object and a turn of the page reveals a group. Featuring familiar objects and funny artwork, this inventive concept book is a great introduction to both counting and common irregular plural nouns. A cumulative row of illustrations along the bottom of the pages shows all of the previous objects in order, so kids can keep track of where they are, and the book also contains a fun hide-and-seek game, inviting kids to spy a little airplane zooming through each spread.

After Clementine Brown receives a first-aid kit for her birthday, she begins to practice her skills on all of her family members except her reckless brother Tommy, who insists he doesn't need a nurse.

Includes entries for maps and atlases.

It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.