Building on contributions from sociology, psychology, anthropology, philosophy, literature, and neuroscience, Henricks develops a more general account of how people discover and reproduce the "meanings" of their involvements with others. Among its many themes are treatments of selves as "projections of personhood," of the ways in which self-expression has changed historically and is now experienced in our electronically mediated era, of emotions as "framing judgments," and of ritual, play, communitas, and work as four distinctive "pathways of experience."

Building on contributions from sociology, psychology, anthropology, philosophy, literature, and neuroscience, Henricks develops a more general account of how people discover and reproduce the "meanings" of their involvements with others. Among its many themes are treatments of selves as "projections of personhood," of the ways in which self-expression has changed historically and is now experienced in our electronically mediated era, of emotions as "framing judgments," and of ritual, play, communitas, and work as four distinctive "pathways of experience."

`This addition to a growing number of texts which approach emotions and emotionality from a social constructionist perspective is well written, scholarly, accessible and interesting.... There is both breadth and depth to this work.' - Feminism and Psychology This broad-ranging and accessible book brings together social and cultural theory with original empirical research into the nature of the emotional self in contemporary western societies. The emphasis of the analysis is on the emotional self as a dynamic project that is continually shaped and reshaped via discourse, embodied sensations, memory, personal biography and interactions with others and objects. Using an interdisciplinary approa

Engaging with the wide sociological literature on emotions, this book explores the social representation of emotions, their management and their effects by making reference to creative sources. With a specific focus on literary narrative, including the works of figures such as Dante, Austen, Manzoni, Tolstoy and Kundera, the author draws out the capacity of literary works to describe and represent both the external aspects of social relations and the inner motivations of the involved actors. An interdisciplinary study that combines sociology, narratology, philosophy, historical analysis and literary criticism, Emotions through Literature invites us to re-think the role of emotions in sociological analysis, employing literary narratives to give plausible intellectual responses to the double nature of emotions, their being both individual and social.

Why does love matter? Love and Society discusses the meaning and importance of love for contemporary society. Love is not only an emotion that occurs in our intimate relationships; it is a special emotion that allows us to relate to each other in a lasting fashion, to create out of our individual pasts a shared past, which enables us to project a shared future. Bringing together the idea of Simmel’s second order forms with theories of love, this insightful volume shows that the answer to why love is so central to society can be found in the social transformation of the last two centuries. It also explains how we can build our strongest social bonds on the fragility of an emotions thanks to the creation of "special moments" (love rituals) and "intimate stories" (love myths) that are central to the weaving of lasting social bonds. Going to the cinema, reading a book together or sharing songs are forms of weaving bonds of love and part of the cycle of love. But love is not only shared between two people; the desire and the search for love is something we share with almost all members of society. With rich empirical data, an analysis of love’s transformation in modernity, and a critical engagement with classical and contemporary theorists, this book provides a lively discussion on the meaning and importance of love for today’s society. It will be of interest to undergraduate and postgraduate students and postdoctoral researchers who are interested in fields such as Sociology of Emotions, Sociological Theory and Sociology of Morality.

Timely and authoritative, this volume reviews the breadth of current knowledge on the self-conscious emotions and their role in psychological and social functioning. Leading investigators approach the subject from multiple levels of analysis, ranging from basic brain mechanisms to complex social processes. Chapters present compelling advances in research on the most fundamental self-conscious emotions: embarrassment, guilt, humiliation, pride, and shame. Addressed are neural and evolutionary mechanisms, developmental processes, cultural differences and similarities, and influences on a wide array of social behaviors and personality processes. A unique chapter on assessment describes and evaluates the full range of available measures.

The blush is a ubiquitous, but little understood, phenomenon. It involves an involuntary change in the face that can express feelings, reveal character and cause intense anxiety. Crozier provides a scholarly, yet accessible, synthesis of new research, locating blushing within the context of the 'social emotions' of embarrassment, shame and shyness.