Recently anthropology has turned to accounts of persons-in-history/history-in-persons, focusing on how individuals and groups as agents both fashion and are fashioned by social, political, and cultural discourses and practices. In this approach, power, agency, and history are made explicit as individuals and groups work to constitute themselves in relation to others and within and against sociopolitical and historical contexts. Contributors to this volume extend this emphasis, drawing upon their ethnographic research in Nepal to examine closely how selves, identities, and experience are produced in dialogical relationships through time in a multi-ethic nation-state and within a discourse of nationalism. The diversity of peoples, recent political transformations, and nation-building efforts make Nepal an especially rich locale to examine people's struggles to define and position themselves. But the authors move beyond geographical boundaries to more theoretical terrain to problematicize the ways in which people recreate or contest certain identities and positions. Various authors explore how people_positioned by gender, ethnicity, and locale_use cultural genres to produce aspects of identities and experiences; they examine how subjectivities, agencies and cultural worlds co-develop and are shaped through engagement with cultural forms; and they portray the appropriation of multiple voices for self and group formation. As such, this collection offers a richly textured and complex accounting of the mutual constitution of selves and society.

Installation art has modified our relationship to art for over fifty years by soliciting the whole body, demonstrating its sensitivity to space, surroundings, and the living beings with which it is constantly interacting. This book analyses this modification of perception through phenomenological approaches convoking Husserl, Heidegger, Merleau-Ponty, as well as Levinas, Depraz, and the neuroscientist Varela. This theoretical framework is implicit in the various case studies which revisit works that have become classic or emblematic by Carl Andre, Bruce Nauman, Dan Graham; inaugural experiments that remain available only through photographic and written archives by Jean-Michel Sanejouand, Philippe Parreno, as well as the influence of the mode in the realm of music. The book also examines the transference of this Western form to Asia, revealing how it resonates with ancient Asian representations and practices—often associated with the spiritual. The distinct chapters underpin the role of space as a metaframe, the common ground of the various installations. While the nature and agency of space varies—from social, historical space, leisurely or political space, inner psychological space, to shared empty space—these installations reveal the chiasm between the individual body and the outside space. The chapters bear testimony of the process in which the physical journey of the spectator’s body within a material—at times invisible—space and its structural components takes place in time, as a succession of micro-experiences. ‘Installation art as experience of self, in space and time’ adds to the existing literature of art history a level of theoretical, experiential and transcultural analysis that will make this inquiry relevant to both university students and independent researchers in the academic fields of philosophy, psychology, aesthetics, art theory and history, religious and Asian studies.

This book is a study of time, particularly of the nature of subjective time-that is, time as subjectively experienced and lived in contrast with time as measured objectively as, for example, by a clock. The argument first addresses the development of the time experience, its origins in infantile experience, and traces its variations and modifications during the course of the life cycle. As the life course advances, concerns about and preoccupations with death play an increasingly important role in attitudes toward and involvement in temporally related contexts. The next step is an examination of the phenomenology of time experience itself and its dependence on biorhythms and affective influences. An important aspect of this discussion is the relation between time experience as a conscious phenomenon and the functioning of unconscious determinants of the time experience. This leads to the question: given these conclusions regarding the nature of time experience, what implications can we draw for the understanding of the nature and functioning of the self within psychoanalysis? The book's final section applies these understandings to the analytic process, focusing particularly on the meaning of the time experience in the patient's psychic reality and patterns of enactment around issues of time and time management in the analytic situation.

This edited volume builds on the previously published Self-Initiated Expatriation: Individual, Organizational, and National Perspectives, which served to give in-depth insights into the concept and the processes of self-initiated expatriation and presented different groups undertaking self-initiated foreign career moves. While more than a hundred articles on self-initiated expatriation (SIE) have been published in the meanwhile, an examination of the research questions and samples of SIEs in published SIE research shows that the role of context and its impact on SIEs’ career-related decisions and behaviors has not been explored sufficiently. This raises the question in how far existing research results are comparable. The aim of this follow-up volume is to deepen the understanding of SIEs’ careers, focusing on the contextual influences of space, time, and institutions on the heterogeneous SIE population. More specifically, the editors aim to shed light on spatial conditions in terms of the home and host country conditions on the self-initiated expatriation experience and examine developments over time in terms of temporality of conditions and SIEs’ life-course. Moreover, the influence of the institutional context in terms of occupational, organisational, and societal specificities will be analysed. All chapters are based on strong theoretical foundations that serve to conceptualise "context" and are written by both established and emerging global academics and researchers. Self-Initiated Expatriates in Context contributes to conceptual clarity in the burgeoning field of SIE research by drawing attention to the importance of exploring context and, thus, boundary conditions to careers. It offers specific guidance for an improvement of future SIE-related research in order to enhance the validity of future empirical studies as well as for an improvement of managerial practice. It will be of interest to researchers, academics, practitioners, and students in the fields of international business, human resource management, organisational studies, and strategic management. Chapters 1, 4, and 12 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The roles of paradox and incoherence in the construction and maintenance of the masculine self remains unexplored in both gender and men's studies. Self-Organizing Men - through poetry, visual images, prose and humor - seeks to understand how paradox and the failure to cohere to a unitary self creates opportunities for sustained connections to sexual love, the penis, childhood, and vulnerability as well as disrupts traditional transsexual narratives of masculinity and the gendered body. Contributors include: Eli Clare, Scott Turner Schofield, Tim'm T. West, Dr. Bobby Noble, Nick Kiddle, Eli VandenBerg, Jordy Jones, Doran George, Aren Z. Aizura, and Gaylourdes. Editor Jay Sennett is a published author and filmmaker.

A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.