This Broadview Edition of Robert Greene’s Selimus is the first single-volume, modernized edition of this underrated dramatic gem in over a century. First published in 1594, the play grippingly stages the bloody fratricidal warfare inaugurating the reign of Selim I (1512-20) as emperor of the Ottoman Empire. Contributing to the expansion of the range of readily available non-Shakespearean early modern English plays, the edition is designed for scholars and students alike, in the study, classroom, or theatre. The critically edited text of the play is accompanied by a full introduction, comprehensive annotations, and ample contextual material from the early modern period, including Greene’s pamphlet Greene’s Groatsworth of Wit.

The theme for Shakespeare Survey 63 is 'Shakespeare's English Histories and their Afterlives'.

Robert Greene holds a significant place in our understanding of Elizabethan literature. This book offers the most rigorous attempt yet undertaken to determine the scope of the playwright’s canon through analyses of Greene’s verse style, vocabulary, rhyming habits, and the dramatist’s phraseology in his attested plays and in comparison to four plays that have long been on the margins of Greene’s corpus: Locrine, Selimus, George a Greene, and A Knack to Know a Knave. The book defines the ranges for Greene’s stylistic habits for the very first time and proceeds to identify parallels of thought, language, and overall dramaturgy that reveal a single author’s creative consciousness. This volume also casts light on Greene as a more collaborative dramatist than has hitherto been acknowledged. Through emphasizing the immediate surroundings in which Greene was writing – the flourishing of popular theatres in two compact areas of London, in which each theatre company and their dra-matists kept a close eye on what their competitors were producing – Greene emerges as an influential playwright, whose restored oeuvre enables us to establish new ways in which his dramatic methods impacted other writers of the period, including Shakespeare.