In the spirit of Richard Avedon, this book contains striking photographic portraits of 10,000 people from across the US, bringing readers face to face with LGBTQ America. The Declaration of Independence states that it is self-evident that we are all created equal. Millions of people in the US, however, are deprived of basic rights merely because they aren't heteronormative. Believing that it's impossible to deny the humanity of anyone once you look into their eyes, iO Tillett Wright embarked on an ambitious project to photograph the faces of people across the country who identify as anything other than 100% straight or cisgender. This enormous undertaking--10,000 people from all fifty states, shot over a nearly ten-year period--is presented in its entirety in this aweinspiring book. In these pages readers will encounter faces of every complexion, lined with age or punctuated with piercings, smiling broadly or deadly serious. While some faces are famous, most are familiar. They may look like your grandmother, your neighbor, your mail carrier, or your doctor. Each of these images tells a personal story. And each of these stories has the power to transform stereotypes into complex views of a multifaceted group of people. Self Evident Truths asks fundamental questions about identity and freedom while proving that the concepts of sexuality and gender are not black and white. They are 10,000 beautiful, bold, and unapologetic shades of queer.

From a distinguished historian, a detailed and compelling examination of how the early Republic struggled with the idea that “all men are created equal” How did Americans in the generations following the Declaration of Independence translate its lofty ideals into practice? In this broadly synthetic work, distinguished historian Richard Brown shows that despite its founding statement that “all men are created equal,” the early Republic struggled with every form of social inequality. While people paid homage to the ideal of equal rights, this ideal came up against entrenched social and political practices and beliefs. Brown illustrates how the ideal was tested in struggles over race and ethnicity, religious freedom, gender and social class, voting rights and citizenship. He shows how high principles fared in criminal trials and divorce cases when minorities, women, and people from different social classes faced judgment. This book offers a much-needed exploration of the ways revolutionary political ideas penetrated popular thinking and everyday practice.

"Fake news," wild conspiracy theories, misleading claims, doctored photos, lies peddled as facts, facts dismissed as lies—citizens of democracies increasingly inhabit a public sphere teeming with competing claims and counterclaims, with no institution or person possessing the authority to settle basic disputes in a definitive way. The problem may be novel in some of its details—including the role of today's political leaders, along with broadcast and digital media, in intensifying the epistemic anarchy—but the challenge of determining truth in a democratic world has a backstory. In this lively and illuminating book, historian Sophia Rosenfeld explores a longstanding and largely unspoken tension at the heart of democracy between the supposed wisdom of the crowd and the need for information to be vetted and evaluated by a learned elite made up of trusted experts. What we are witnessing now is the unraveling of the détente between these competing aspects of democratic culture. In four bracing chapters, Rosenfeld substantiates her claim by tracing the history of the vexed relationship between democracy and truth. She begins with an examination of the period prior to the eighteenth-century Age of Revolutions, where she uncovers the political and epistemological foundations of our democratic world. Subsequent chapters move from the Enlightenment to the rise of both populist and technocratic notions of democracy between the nineteenth and twentieth centuries to the troubling trends—including the collapse of social trust—that have led to the rise of our "post-truth" public life. Rosenfeld concludes by offering suggestions for how to defend the idea of truth against the forces that would undermine it.

Winner of the Francis Parkman Prize, Society of American Historians “A tour de force. . . . No one has ever written a book on the Declaration quite like this one.”—Gordon Wood, New York Review of Books Featured on the front page of the New York Times, Our Declaration is already regarded as a seminal work that reinterprets the promise of American democracy through our founding text. Combining a personal account of teaching the Declaration with a vivid evocation of the colonial world between 1774 and 1777, Allen, a political philosopher renowned for her work on justice and citizenship reveals our nation’s founding text to be an animating force that not only changed the world more than two-hundred years ago, but also still can. Challenging conventional wisdom, she boldly makes the case that the Declaration is a document as much about political equality as about individual liberty. Beautifully illustrated throughout, Our Declaration is an “uncommonly elegant, incisive, and often poetic primer on America’s cardinal text” (David M. Kennedy).

Millions of Americans have read and been galvanized by A People's History of the United States. But many years before Howard Zinn published that epic saga of exploitation and resistance, he was organizing civil-rights protests and agitating for an end to the Vietnam War--and writing about those efforts in the pages of The Nation. From the Atlanta campus of Spelman College (where Zinn taught in the early 1960s) to North Vietnam (where he facilitated the release of American POWs), Zinn was not only an astute observer of history. As Frances Fox Piven writes in the introduction to Some Truths Are Not Self-Evident, "These Nation essays remind us that for nearly fifty years Zinn himself was deeply involved in the major twentieth-century struggles for social justice in the United States." The book also includes later Zinn articles on George W. Bush's wars--on terror, in Iraq, against the poor--as well as a selection of Nation articles about Zinn, concluding with Eric Foner's 2010 obituary for the historian who "was not afraid to speak out about the difference between right and wrong." Nowhere has Zinn's courage and commitment to speaking out been as evident as in Some Truths Are Not Self Evident: Essays in The Nation on Civil Rights, Vietnam and the "War on Terror."

A history of America's nation-building project told through the voices of its peoples, from the early settlers to its multicultural citizens of the twenty-first century.