Centered around the themes of death, women as objects of desire, lost love, motherhood, and children, the poems in this selection offer insight into the work of this well-known abolitionist and advocate of women's rights. Including Grimke's prose and drama, which often focus on lynching, this volume sheds new light on a perspective characterized by the African-American experience of racial pride and the reaction against racists acts.

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Sisters against Slavery recounts the lives of Sarah Grimke and Angelica Grimke Weld. These daughters of wealthy Southern planters and slave owners renounced slavery in the 1830's. Through their writings and through a series of lectures delivered in the North, the sisters became famous for their views on slavery and women's rights. Although the sisters were active as speakers and essayists for a relatively short time in the 1830s and 1840s, they reached tens of thousands of people, influenced American views on slavery, and were an inspiration to women's rights leaders for decades to come.

Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95.

But after all, it may be said, our fathers were certainly mistaken, for the Bible sanctions Slavery, and that is the highest authority. Now the Bible is my ultimate appeal in all matters of faith and practice, and it is to this test I am anxious to bring the subject at issue between us. Let us then begin with Adam and examine the charter of privileges which was given to him. "Have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth."

Traces the vivid lives of the wives of Theodore Weld, Jefferson Davis, and Ulysses S. Grant to demonstrate how their personal beliefs were overshadowed by their high-profile husbands before wartime brought them to the foreground.

Challenging conventional constructions of the Harlem Renaissance and American modernism, Daylanne English links writers from both movements to debates about eugenics in the Progressive Era. She argues that, in the 1920s, the form and content of writings by figures as disparate as W. E. B. Du Bois, T. S. Eliot, Gertrude Stein, and Nella Larsen were shaped by anxieties regarding immigration, migration, and intraracial breeding. English's interdisciplinary approach brings together the work of those canonical writers with relatively neglected literary, social scientific, and visual texts. She examines antilynching plays by Angelina Weld Grimke as well as the provocative writings of white female eugenics field workers. English also analyzes the Crisis magazine as a family album filtering uplift through eugenics by means of photographic documentation of an ever-improving black race. English suggests that current scholarship often misreads early-twentieth-century visual, literary, and political culture by applying contemporary social and moral standards to the past. Du Bois, she argues, was actually more of a eugenicist than Eliot. Through such reconfiguration of the modern period, English creates an allegory for the American present: because eugenics was, in its time, widely accepted as a reasonable, progressive ideology, we need to consider the long-term implications of contemporary genetic engineering, fertility enhancement and control, and legislation promoting or discouraging family growth.