Nelligan’s finest poems. This collection of 46 poems, translated from French, has been selected for both poetic and psychological interest. Émile Nelligan, Canada’s first truly modern poet, burst upon the scene as a prodigy creating brilliant lyrical poetry in late 19th-century Montréal for three years before suffering, at age 19, a breakdown that left him in a mental asylum for the rest of his life. Nelligan went on to achieve mythic status in Québec — no other poet in all Canada has been the subject of so many biographies, films, novels, plays, and critical appraisals. This volume includes Nelligan’s key poems, accompanied by robust commentary covering such topics as the women in Nelligan’s life, the nature of his breakdown, and the several controversies surrounding his life and work. Includes picture gallery. “A fascinating story of this meteoric figure. The poems show that Nelligan was a musician of words who merits recognition beyond Québec’s borders.” Translator and commentator Ian Allaby is a Toronto-based writer, poet and former editor of the Spadina Literary Review.

This edition of Nelligan's poems, with a critical introduction by the editor and translator, is the first complete English translation of Nelligan's poetry authorized by the Emile Nelligan Foundation. With this book the editor hopes to persuade the reader that Emile Nelligan, "the most brilliant and original of the poets of the Ecole Littéraire of Montreal," was also the finest Canadian poet of the nineteenth century. In this view he is seconded by the American critic Edmund Wilson, who wrote: "The accepted idea [in Canada]. . . is that the poetry of English Canada is excellent and better than their fiction, and it irritates them to be told that the best Canadian poet was French."

A legend of 19th century French Canadian poetry, mile Nelligan was only 16 when he fell under the influence of Baudelaire and Rimbaud and began writing taut, confidently surrealistic poems, shot through self-lacerating melancholy. Translating Nelligan's "essential" poems, along with a sharp introduction contextualizing his legacy as one of the "first poets to write openly about suicide, neurosis, and psychological breakdown," Marc di Saverio has given us a rivetingly fresh version of Nelligan for a new generation.

This dazzling collection of poetry is the first ever translation into English of the work of a writer now considered the father of modern French Canadian literature. Émile Nelligan's work spanned only two years, from 1897 to 1899, when he suffered a nervous disorder later described as dementia praecox. Until his death in 1941, Nelligan tragically lived in a state of remote indifference. The impact of this great writer's work at a young age and his distinction as being the first Canadian writer to be influenced by Baudelaire and Rimbaud make this collection a vital contribution to the international understanding of Quebecois literary history

The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.

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