A pair of revelatory travel memoirs from “a superb storyteller . . . [who] had a talent for depicting local color” (The New York Times). “One of the finest writers of any language,” British author Graham Greene embarked on two awe-inspiring and eye-opening journeys in the 1930s—to West Africa and to Mexico (The Washington Post). Greene would find himself both shaken and inspired by these trips, which would go on to inform his novels. Journey Without Maps: When Graham Greene set off from Liverpool in 1935 for what was then an Africa unmarked by colonization, it was to leave the known transgressions of his own civilization behind for those unknown. First by cargo ship, then by train and truck through Sierra Leone, and finally on foot, Greene embarked on a dangerous and unpredictable 350-mile, four-week trek through Liberia with his cousin and a handful of servants and bearers into a world where few had ever seen a white man. For Greene, this odyssey became as much a trip into the primitive interiors of the writer himself as it was a physical journey into a land foreign to his experience. “One of the best travel books [of the twentieth] century.” —The Independent The Lawless Roads: This eyewitness account of religious and political persecution in 1930s Mexico inspired The Power and the Glory, the British novelist’s “masterpiece” (John Updike). In 1938, Greene, a burgeoning convert to Roman Catholicism, was commissioned to expose the anticlerical purges in Mexico. Churches had been destroyed, peasants held secret masses in their homes, religious icons were banned, and priests disappeared. Traveling under the growing clouds of fascism, Greene was anxious to see for himself the effect it had on the people. Journeying through the rugged and remote terrain of Chiapas and Tabasco, Greene’s emotional, gut response to the landscape; the sights and sounds; the oppressive heat; and the people’s fear, despair, resignation, and fierce resilience makes for a vivid and powerful chronicle. “[A] singularly beautiful travel book.” —New Statesman

Tell us where you've been, and what you experienced there. Let us feel the ticket in your hand, see your ports of call, meet the people you've come to know. Put it all on paper. With the guidance of L. Peat O'Neil - who is on the staff of The Washington Post Magazine - you'll travel well and write engagingly, whether in journals for your own pleasure or articles for publication. Writing and marketing exercises follow pertinent chapters. Along with her instruction, O'Neil mixes in examples from travel articles. You'll taste the flavor of distant destinations even as you see how the writers sprinkled in that spice.

Features themes that encompass high adventure, spiritual growth, romance, hilarity and misadventure, service to humanity, and encounters with exotic cuisine.

Providing information on how to get started in travel journalism, this book deals with all aspects of the profession, from its glamorous image to the gruelling reality.

The year's best travel writing, as chosen by series editor Jason Wilson and guest editor Robert Macfarlane. Writing, reading, and dreaming about travel have surged, writes Robert MacFarlane in his introduction to the Best American Travel Writing 2020. From an existential reckoning in avalanche school, to an act of kindness at the Mexican-American border, to a moral dilemma at a Kenyan orphanage, the journeys showcased in this collection are as spiritual as they are physical. These stories provide not just remarkable entertainment, but also, as MacFarlane says, deep comfort, "carrying hope, creating connections, transporting readers to other-worlds, and imagining alternative presents and alternative futures." The Best American Travel 2020 includes HEIDI JULAVITS - YIYUN LI - PAUL SALOPEK - LACY JOHNSON - EMMANUEL IDUMA - JON MOOALLEM - EMILY RABOTEAU and others

The Best Travel Writing, Volume 9 is the latest in the annual Travelers' Tales series launched in 2004 to celebrate the world's best travel writing — from Nobel Prize winners to emerging new writers. The points of view and perspectives are global, and themes encompass high adventure, spiritual growth, romance, hilarity and misadventure, service to humanity, and encounters with exotic cuisines and cultures.

W. Somerset Maugham was one of the seminal writers of the twentieth century, and his travel writing has long been considered among his finest work. Now, acclaimed travel writer Pico Iyer maps out a masterful tour of these vivid, evocative pieces that are collected here for the first time. Maugham worked as a secret agent in Russia, published novels in London, staged plays in New York, and traveled throughout Europe, Asia, India, and the United States, chronicling his travels, wherever he went, with exceptional insight. Beginning with “In the Land of the Blessed Virgin” and culminating in “A Partial View,” Iyer selects vignettes of Maugham’s razor-sharp prose that track his transformation from a boyish traveler in Spain to a worldly man of letters. This is Maugham at his most keenly observant, direct, and powerful.