Preliminary Material /Ria Kloppenborg -- Introduction /Ria Kloppenborg -- The Concluding Bath of the Varunapraghāsa /Jan Gonda -- The Fourth Priest (The Brahmán) in Vedic Ritual /Henk W. Bodewitz -- The Changing Pattern of Pāñcarātra Initiation: A Case Study in the Reinterpretation of Ritual /Sanjukta Gupta -- Some Beliefs and Rituals Concerning Time and Death in the Kubjikāmata /Teun Goudriaan -- Protective Covering (Kavaca) /Karel R. van Kooij -- Interpreting Fire-Walking /Kees W. Bolle -- A Magic Kĕris from Kalimantan /Jan A. Schoterman -- The Earliest Buddhist Ritual of Ordination /Ria Kloppenborg -- Spells on the Life-Wood. An Introduction to the Tibetan Buddhist Ceremony of Consecration /Losang Paldhen Gyalzur and Antony H.N. Verwey -- Index of Ritual Terms /Ria Kloppenborg -- Notes on Authors /Ria Kloppenborg -- Bibliography D.J. Hoens /Ria Kloppenborg.

Are the richness and diversity of rituals and celebrations in South Asia unique? Can we speak of a homo ritualis when it comes to India or Hinduism? Are Indians or Hindus more involved in rituals than other people? If so, what makes them special? Homo Ritualis is the first book to present a Hindu theory of rituals. Based on extensive textual studies and field-work in Nepal and India, Axel Michaels argues that ritual is a distinctive way of acting, which, as in the theater, can be distinguished from other forms of action. The book analyzes ritual in these cultural-specific and religious contexts, taking into account how indigenous terms and theories affect and contribute to current ritual theory. It describes and investigates various forms of Hindu rituals and festivals, such as life-cycle rituals, the Vedic sacrifice, vows processions, and the worship of deities (puja). It also examines conceptual components of (Hindu) rituals such as framing, formality, modality, and theories of meaning.

Indian indigenous societies are especially known for their elaborate rituals, which offer an excellent chance for studying religion as practice. However, few detailed ethnographic works exist on the ritual practices of these societies. Based on long-term ethnographic fieldwork in Jharkhand, India this book offers insights into contemporary, previously not described rituals of the Santal, one of the largest indigenous societies of Central India. Its focus lies on culturally specific notions of place as articulated and created during these rituals. In three chapters the book discusses how the Santal "make place" on different local, regional and global levels through their rituals: They reaffirm their ancestral roots in their land during large sacrificial rituals. They offer sacrifices to the dangerous deities of the forest in exchange for rain. And they claim their region to be a "Santal region" through large festivals celebrated in sacred groves, which they link to national and global discourses of indigeneity and environmentalism. Through an analysis of the rituals of a specific society, this book addresses broader issues. It presents an example of how to study religion as a practical activity. It portrays culture-specific perceptions of the environment. And last, the book underlines the potential that lies in choosing place as a lens to study social phenomena in context.

RITUAL ART OF INDIA shows the splendor and diversity of an art form that has enriched every stage of human life in India--and reveals the inward-seeking quality of relationship with the divine that exemplifies Indian ritual art. A stunning guide with over 100 color photos and 34 b&w photos.

Challenges prevailing conceptions of what religious ritual does and how it achieves its ends.

This publication gives an analysis of Mesopotamian communal remembrance. It deals with public and private aspects of ancient memory practice and explores the interface between the oral and the written. New insights are offered to the interdisciplinary discussions on collective memory and national remembrance.