In a career spanning over 50 years, Morley Roberts wrote hundreds of short stories and was one of the most successful operators in the Victorian-Edwardian literary marketplace. His remarkable imagination and willingness to experiment resulted in tales of sailors on the high seas, adventurers in the Australian bush, cowboys in the wild west, saloon society in frontier towns, tramps on the railroad, miners in the mountains of British Columbia, farmers on the South African veld, and writers in men’s clubs. Whatever the setting, Roberts evokes the dangers and challenges his characters face. With an eye for detail and an unerring skill in capturing the vernacular of the desperate characters he portrays, Roberts leads the reader into vividly-drawn masculine worlds. Markus Neacey acknowledges Roberts’s special contribution to the British short story by selecting the best examples from his extensive work. This edition includes: Critical introductionExtensive explanatory footnotesAuthor biographySuggestions for further readingSelection of contemporary reviewsExtracts from Roberts's interviews with The IdlerExtracts from Roberts's A Tramp's Note-bookThe full text of Roberts's lecture, The Sea in Fiction

In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the West. In particular, Orientalist painting, depicting more specifically "the Middle East". Check out the stories with this theme selected by the critic August Nemo: - The Rajah's Treasure by H. G. Wells - The Man Who Would Be King by Rudyard Kipling - Tajima by Miss Mitford - A Chinese Girl Graduate by R. K. Douglas - The Revenge Of Her Race by Mary Beaumont - King Billy Of Ballarat by Morley Roberts - Thy Heart's Desire by Netta Syrett For more books with interesting themes, be sure to check the other books in this collection!

Shortlisted for the Literary Encyclopedia Book Prize 2022, The Tramp in British Literature, 1850-1950 offers a unique account of the emergence of a new conception of homelessness in the mid-nineteenth century. After arguing that the emergence of the figure of the tramp reflects the evolution of capitalism and disciplinary society in this period, The Tramp in British Literature uncovers a neglected body of "tramp literature" written by memoir and fiction writers, many of whom were themselves homeless. In analysing these works, it presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a wider societal preoccupation with the need to be productive.