Long thought to be merely part of the Auden generation, and often viewed as an English poet, Louis MacNeice became important to the postwar generation of Irish poets, especially those from Northern Ireland like Seamus Heaney, Derek Mahon, Michael Longley and Paul Muldoon, because of his lyrically nuanced considerations of international as well as national issues. Born and raised in Northern Ireland, and educated in England where he resided for much of his adult life, MacNeice answered a need in these poets for a perspective that made the local have larger political significance. He also offered an angry critique of Ireland and Irish history that was tempered by familial love and affection. Michael Longley's selection of poems highlights why the critique and the perspective that MacNeice provided were important to his generation as well as to those that have followed. It also shows us that Louis MacNeice's mixed allegiance between Ireland and England, his urbanity, his postmodern pluralism, and his belief that the personal is political, make him a poet for our day.

Written between August and December 1938, this poem is a record of MacNeice's emotional and intellectual experience during those months. The trivia of everyday living is set against events in the world outside - the settlement in Munich and slow defeat in Spain.

Louis MacNeice is increasingly recognised as one of the greatest poets of the twentieth century, and his work has been a defining influence upon a generation of Irish poets that includes Derek Mahon, Michael Longley and Paul Muldoon. The Selected Letters is indispensable as a resource for an understanding of the intellectual culture of the mid-twentieth century. A Classics don, poet, playwright and globetrotting BBC producer, the medley and blend of MacNeice's cultural influences seems exemplary in its modernity. He kept up a significant correspondence with E. R. Dodds, Anthony Blunt and T. S. Eliot, to name but three prominent figures of the time. During his time at the BBC MacNeice witnessed many key events, including the partition of India in 1947 and the independence of the Gold Coast from Britain in 1957, and these are recorded in two long sequences to his wife, the singer Hedli Anderson. His complex relationship to Ireland and to his Irish heritages speak resonantly to contemporary debates about Irish and Northern Irish cultural identity. Finally, the Letters will do much to broaden our understanding of a vivid and often enigmatic personality whose varied life and individual charisma have often resisted explanation.

Stephen Spender, the son of a journalist, was born in London in 1909. He was educated at University College, Oxford, where he met, among others, W. H. Auden, Christopher Isherwood and Louis MacNeice, with whom he was to develop a poetics of engagement, writing powerfully of the confusion and alarm of 1930s Europe. He visited Spain during the Civil War, in 1937, where he assisted the Republican cause with propaganda activity. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism. His poetry has been praised for its exploratory candour, its personal approach to the stresses of modernity, and its exact portraiture of social and political upheaval. Grey Gowrie's new selection offers a timely and incisive revaluation of Spender's substantial poetic corpus.

When Auden and MacNeice travelled in Iceland together in 1936, the verse, prose, letters and notes they recorded would appear the following year as 'Letters from Iceland'.

Celebrates the diversity and vitality of Louis MacNeice's writing. Poets and critics illuminate the work of a writer whose achievement and influence is increasingly recognised as central to modern poetry in English.