A contemporary of Giordano Bruno and Galileo, Tommaso Campanella (1568–1639) was a controversial philosopher, theologian, astrologer, and poet who was persecuted during the Inquisition and spent much of his adult life imprisoned because of his heterodox views. He is best known today for two works: The City of the Sun, a dialogue inspired by Plato’s Republic, in which he prophesies a vision of a unified, peaceful world governed by a theocratic monarchy; and his well-meaning Defense of Galileo, which may have done Galileo more harm than good because of Campanella’s previous conviction for heresy. But Campanella’s philosophical poems are where his most forceful and undiluted ideas reside. His poetry is where his faith in observable and experimental sciences, his astrological and occult wisdom, his ideas about deism, his anti-Aristotelianism, and his calls for religious and secular reform most put him at odds with both civil and church authorities. For this volume, Sherry Roush has selected Campanella’s best and most idiosyncratic poems, which are masterpieces of sixteenth-century Italian lyrics, displaying a questing mind of great, if unorthodox, brilliance, and showing Campanella’s passionate belief in the intrinsic harmony between the sacred and secular.

City of the Sun, written in 1602, is Tommaso Campanella's contribution to the body of literature concerned with utopia, the philosophical search for the perfect society. Campanella's utopia was based on a form of communism in which all possessions, including women and children, were shared by men. The great city was ruled by a spiritual leader named Metaphysic, whom Power, Wisdom, and Love served, overseeing all aspects of the society. Wisdom ensures that the sciences are properly taught, while Love ensures that men and women breed the most perfect children. Those with an interest in philosophy and sociology will find this book an intriguing take on the structure of an ideal society. Italian philosopher and theologian TOMMASO CAMPANELLA (1568-1639) became a monk at the age of fifteen. He was imprisoned for twenty-seven years for conspiring against the Spanish crown, and it was during this time that he wrote his most important works, including Atheismus triumphatus (1605) and Metaphysica (1609).

The Renaissance was a period of great intellectual change and innovation as philosophers rediscovered the philosophy of classical antiquity and passed it on to the modern age. Renaissance philosophy is distinct both from the medieval scholasticism, based on revelation and authority, and from philosophers of the seventeenth and eighteenth centuries who transformed it into new philosophical systems. Despite the importance of the Renaissance to the development of philosophy over time, it has remained largely understudied by historians of philosophy and professional philosophers. This anthology aims to correct this by providing scholars and students of philosophy with representative translations of the most important philosophers of the Renaissance. Its purpose is to help readers appreciate philosophy in the Renaissance and its importance in the history of philosophy. The anthology includes translations from philosophers from the thirteenth to the seventeenth centuries, and it ranges from works on moral and political philosophy, to metaphysics, epistemology, and natural philosophy, thereby providing historians and students of philosophy with a sense for the nature, breadth, and complexity of philosophy in the Renaissance. Each translation is accompanied by an introduction by a historian of Renaissance philosophy, as well as select secondary sources, in order to encourage further study. This anthology is a companion to Philosophers of the Renaissance, edited by Paul Richard Blum and published by Catholic University of America Press in 2010, which included essays on the writings of the same group of philosophers of the Renaissance: Raymond Llull, Gemistos Plethon, George of Trebizond, Basil Bessarion, Lorenzo Valla, Nicholas of Cusa, Leon Battista Alberti, Giovanni Pico della Mirandola, Marsilio Ficino, Pietro Pomponazzi, Niccolò Machiavelli, Heinrich Cornelius Agrippa von Nettesheim, Juan Luis Vives, Philipp Melanchthon, Petrus Ramus, Bernardino Telesio, Jacopo Zabarella, Michel de Montaigne, Francesco Patrizi, Giordano Bruno, Francisco Suàrez, Tommaso Campanella.

The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

A friend of Galileo and author of the renowned utopia The City of the Sun, Tommaso Campanella (Stilo, Calabria,1568- Paris, 1639) is one of the most significant and original thinkers of the early modern period. His philosophical project centred upon the idea of reconciling Renaissance philosophy with a radical reform of science and society. He produced a complex and articulate synthesis of all fields of knowledge – including magic and astrology. During his early formative years as a Dominican friar, he manifested a restless impatience towards Aristotelian philosophy and its followers. As a reaction, he enthusiastically embraced Bernardino Telesio’s view that knowledge could only be acquired through the observation of things themselves, investigated through the senses and based on a correct understanding of the link between words and objects. Campanella’s new natural philosophy rested on the principle that the books written by men needed to be compared with God’s infinite book of nature, allowing them to correct the mistakes scattered throughout the human ‘copies’ which were always imperfect, partial and liable to revisions. It is in the light of these principles that he defended Galileo’s right to read the book of nature while denouncing the mistake of those – be they Aristotelian philosophers or theologians – who wanted to stop him from carrying on his natural investigations. However, Campanella maintained that the book of nature, far from being written in mathematical characters, was a living organism in which each natural being was endowed with life and a degree of sensibility that was appropriate for its preservation and propagation. Nature as a whole was an organism in which each single part was directed towards the common good. This is the reason why Campanella thought that nature had to be regarded as an ideal model for any political organisation. Political structures were often ruled by injustice and violence precisely because they had departed from that natural model. This book charts Campanella’s intellectual life by showing the origin, development and persistence of some of the fundamental tenets of his thought.

What do Emily Dickinson, slave revolts, Babylonian Kings, and Monticello all have in common? A solar eclipse. Whether it was deciding on the location of a grand home (or castle), inspiring poetry, timing battles and revolts, or planning expeditions, eclipses have inspired fear and fascination. Solar eclipses allowed Ptolemy to determine the length of the Mediterranean and helped Einstein establish his General Theory of Relativity. Preliterate societies recorded eclipses on turtle shells found in "The Wastes of Yin" and on the Mayan "Dresden Codex." Eclipses were later instrumental in the creation of longitude and allowed Hubble to understand the expansion of the Universe (and disprove another theory of Einstein's in the process). John Dvorak, the acclaimed author of Earthquake Storms and The Last Volcano, examines this amazing phenomena and reveals the humanism behind the science. With insightful detail and vividly accessible prose, he provides explanations as to how and why eclipses occur—as well as insight into the eclipse of 2017, which was visible across North America.