This collection of essays begins with a reassessment of Swift's Gulliver's Travels, in particular addressing the universal formative impact it keeps exerting on the 'myth of utopia' (N. Frye) and the ramifications it displays in contemporary exem

Part III, "The Terrain of Literature," features Greene's examination of a variety of literary approaches to literature in an era when the subject needs to be referred as well to cognitive science as more conventional critical modes, even deconstruction, that have long defined it. Additionally, he illuminates important works by writers as various as Jane Austen and Evelyn Waugh. These essays, as well as the book as a whole, are framed here by Greene's assessment of Canadian literature that calls attention to the native terrain that he originally called home and how the latter contributed to the making of one of the most cosmopolitan scholars of his era."--Jacket.

In a series of essays on the complicated relations between reading, writing and remembering, gifted novelist and critic Byatt sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.

Clark Blaise's Selected Essays brings together another aspect of his tremendous and courageous oeuvre: belle lettres, essays and occasional pieces which range over autobiography, his French-Canadan heritage, the craft of fiction, American fiction, Australian fiction, and the work of such individual writers and Jack Kerouac, V.S. Naipaul, Salmon Rushdie, Alice Munro, Leon Rooke, and Bernard Malamud, his friend and mentor.

The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.