Military medic Mara Wallner takes a time-out in Egypt, after enduring trauma during the Afghanistan war. A curious incident in the desert spirits her to the Roman Empire during the time of Julius Caesar. There, she works as a medica in a gladiator-school, healing the fighters with modern therapeutical methods. Soon Mara is in the middle of the Roman Empire's political troubles: She undertakes adventures with Octavius, Caesar's nephew; has a passionate affair with Brutus, Caesar's close friend... so when Caesar is assassinated, Mara finds herself trapped in the eye of the storm.

Lavishly illustrated in color, this book presents a spectacular collection of archaeological and artistic treasures covering the extent of Egyptian art from the Predynastic Period of the fourth millennium B.C. to the Greco-Roman period of the fourth century A.D. The volume features more than 130 objects ranging from architectural elements of a royal palace and funerary chapel to delicate jewelry and textile fragments, and contains many objects never previously shown in print. In an introductory essay David P. Silverman documents major expeditions to sites in Egypt and Nubia and summarizes the new information gleaned about ancient Egyptian civilization. Donald B. Redford provides a general treatment of ancient Egypt history. The objects themselves are introduced with concise essays by recognized Egyptologists: Edward Brovarski, Rita E. Freed, Arielle P. Kozloff, David O'Connor, Edna R. Russmann, William K. Simpson, and Josef W. Wegner. Contributors-- Edward Brovarski, Museum of Fine Arts, Boston Rita Freed, Museum of Fine Arts, Boston Arielle Kozloff, Cleveland Museum of Art David O'Connor, Institute of Fine Arts, New York University Donald Redford, University of Toronto Edna. R. Russman, Brooklyn Museum of Art David Silverman, University of Pennsylvania William Kelly Simpson, Yale University Josef W. Wegner, University of Pennsylvania

Since the late nineteenth century hundreds of people, on behalf of the University of Pennsylvania Museum of Archaeology and Anthropology, have searched for what it means to be human, studying the infinite variety of human cultures. The Museum's extensive collections provide vital clues in this quest. For the first time curators and Museum staff present more than 220 of the most intriguing and beautiful objects from such sites as Nippur, Thebes, the Amazon, Sitio Conte, Ur of the Chaldees, Borneo--all resonating with an eloquence that recalls the curiosity that drove the Museum and its founders and continues to drive its contemporary researchers after more than 350 international expeditions. The objects selected--from African to American to Asian, from Babylonian and Near Eastern to Egyptian, Oceanian, and Mediterranean--are important even beyond their immediate, individual aesthetic. The depth of information recovered when they are examined in their original contexts allows experts and lay readers to reconstruct the many stories, large and small, that constitute the shared lives and heritage of humanity.

Annotation. Ancient West & East is a peer-reviewed journal devoted to the study of the history and archaeology of the periphery of the Graeco-Roman world, concentrating on local societies and cultures and their interaction with the Graeco-Roman, Near Eastern and early Byzantine worlds.

Presents the latest research in Egyptology on the theme of Ancient Egypt in a Global World This selection of 23 papers from the 15th annual Current Research in Egyptology symposium addreses the interregional and interdisciplinary theme of ïAncient Egypt in a Global WorldÍ. This theme works on a number of levels highlighting the current global nature of Egyptological research and it places ancient Egypt in the wider ancient world. The first section presents the results of recent excavations, including in the western Valley of the Kings and analysis of the structures, construction techniques, food production and consumption remains at Tell Timai (Thmuis) in the Delta. Part II focuses on the cross-cultural theme with papers including discussions on the presence in India of terracotta figurines from Roman Egypt; the ancient Egyptian influence of Aegean lion-headed divinities; Libyan influence in New Kingdom and Third Intermediate Period Egyptian administration and the identifcation of ancient Egyptian finds from the British countryside reported to the Portable Antiquities Scheme. The third part of the book includes current research undertaken across the world of Egyptology, including analysis of late Roman crocodile mummies though non-invasive radiographic imaging techniques and the study of infant jar-burials in ancient Egypt and Sudan to identify differences in regional socio-economic contexts and the interaction between people and local resources. The editors of this volume are all PhD candidates at University College and KingÍs College London

A sinister king. A scheming queen. A deadly plot. An Evil Spirit Out of the West is the first novel in a trilogy set in one of the most turbulent and exciting periods of Ancient Egyptian history, from acclaimed author Paul Doherty. Perfect for fans of Brad Geagley and Wilbur Smith. 'Doherty has typically woven a delightfully dark tale around what must have been the most remarkable period of Egyptian history... So stoke up the fire, draw the curtains and put your feet up in order to enjoy this delightfully spooky and robust tale of demons, death and disease in old Egypt. Great stuff!' - Historical Novels Review Known as the Veiled One, the ugly and deformed Akenhaten is a shadowy figure. As a child he is overlooked and despised by his own father. As an adult he is thrust into the political limelight when his elder brother dies. Mahu, ambitious and ruthless, watches the young prince carve his own path to power. He becomes Akenhaten's alter ego, his protector and confidant, standing by as Akenhaten proclaims that there is only one God, the Aten, and that he, Akenhaten, is that God's only son. Revolution and chaos follow in this dramatic reign filled with fraud, abduction, assassination, betrayal and treachery. But when Mahu becomes suspicious of Akenhaten's majestic and glorious wife Nefertiti, and the political skill of her brother, Ay, it seems that a hidden and malign influence may also be at work. And then Akenhaten disappears... What readers are saying about Paul Doherty: '5 stars are not enough for this book!' 'Beautifully written, exciting and interesting' 'The sounds and smells of the period seem to waft from the pages of [Paul Doherty's] books'

The Egyptian Collection at Norwich Castle Museum represents the first full publication of this important collection which contains several outstanding objects. Part 1 begins with an outline of the acquisition history of the Egyptian collection and its display within Norwich Castle in 1894, when it was converted from a prison to a museum. The collection was largely acquired between the nineteenth and first part of the twentieth centuries. Its most prominent donor was Flaxman Spurrell, whose varied collection of flints, faience beads and necklaces as well as Late Antique cloths was obtained from Sir Flinders Petrie. Also prominent was the Norwich-based Colman family, most notable for its manufacture of mustard, whose collection was purchased in Egypt during the late-C19. Also included in this part are essays on several of the museum’s outstanding items – Ipu’s shroud, a rare early 18th Dynasty example with fragments also held in Cairo; the 22nd Dynasty finely decorated and well-preserved cartonnage and wooden lid of the priest, Ankh-hor; and the exceptional model granary of Nile clay painted with lively scenes, one showing the owner, Intef, playing senet. Part 2 is a detailed catalogue of the complete collection. It is organised into sections with objects grouped together mainly according to type – stelae, shabtis, scarabs, jewellery, amulets, vessels, flints, lamps, inscribed Book of the Dead fragments, metal figurines, and Late Antique cloths; and also according to function – such as cosmetics& grooming, and architectural & furniture elements. The inscribed materials have all been translated and individual entries give examples or parallels. Seventy colour plates illustrate each object.