"Do you sense your child might be struggling with something but you just can’t put it into words? Maybe you’re a youth pastor, small group leader, teacher, or coach who wants to know how to help kids who are facing despair. There are countless resources available for addressing the physical and academic needs of today’s youth, but what about their mental and emotional needs? Youth anxiety and depression rates are rising. No parent wants their kid to suffer from despair. This book contains essential information about the dynamics of despair in kids and teens in a clear and understandable way. On each page, you will find helpful information about why the kid or teen in your life might be struggling, but also comfort in knowing how you can help. Throughout each chapter, you will learn about different tools of connection and the critical steps you can take to help kids and teens feel seen so that they can find confidence in who God has called them to be."--Publisher's description.

Winner of American Library Association Schneider Family Book Award! Bobby Phillips is an average fifteen-year-old-boy. Until the morning he wakes up and can't see himself in the mirror. Not blind, not dreaming-Bobby is just plain invisible. There doesn't seem to be any rhyme or reason to Bobby's new condition; even his dad the physicist can't figure it out. For Bobby that means no school, no friends, no life. He's a missing person. Then he meets Alicia. She's blind, and Bobby can't resist talking to her, trusting her. But people are starting to wonder where Bobby is. Bobby knows that his invisibility could have dangerous consequences for his family and that time is running out. He has to find out how to be seen again-before it's too late.

This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.

In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.

A hilarious, interactive book that breaks the fourth wall about a boy confronts a book thief when his favorite story is stolen. Perfect for fans of Don't Push the Button and There's a Monster in Your Book! When a boy discovers that his favorite book is missing, he asks you if you've seen it. But with every description he gives and every page you turn, you realize that his missing book is in YOUR hands! So what do you do? And what does HE do when he figures it out? A laugh-out-loud, interactive story that breaks the fourth wall written by Angela DiTerlizzi and illustrated by Tom Booth! Perfect for fans of DON'T PUSH THE BUTTON, THIS BOOK JUST ATE MY DOG, and THERE'S A MONSTER IN YOUR BOOK.

"Utterly captivating. Ghost story, murder mystery, haunting Aboriginal fable--The Things She's Seen checks every spooky box you could want." --Paste Magazine Cosmopolitan called The Things She's Seen one of the best YA books you'll be obsessed with in 2019. Now in paperback, with an updated, more commercial cover, this thriller is poised to break out to an even wider audience. Nothing's been the same for Beth Teller since the day she died. Her dad is drowning in grief. He's also the only one who has been able to see and hear her since the accident. But now they've got a mystery to solve, a mystery that will hopefully remind her detective father that he needs to reconnect with the living. The case takes them to a remote Australian town, where there's been a suspicious fire. All that remains are an unidentifiable body and an unreliable witness found wandering nearby. This witness speaks in riddles. Isobel Catching has a story to tell, and it's a tale to haunt your dreams--but does it even connect to the case at hand? As Beth and her father unravel the mystery, they find a shocking and heartbreaking story lurking beneath the surface of a small town.

A deafblind writer and professor explores how the misrepresentation of disability in books, movies, and TV harms both the disabled community and everyone else. As a deafblind woman with partial vision in one eye and bilateral hearing aids, Elsa Sjunneson lives at the crossroads of blindness and sight, hearing and deafness—much to the confusion of the world around her. While she cannot see well enough to operate without a guide dog or cane, she can see enough to know when someone is reacting to the visible signs of her blindness and can hear when they’re whispering behind her back. And she certainly knows how wrong our one-size-fits-all definitions of disability can be. As a media studies professor, she’s also seen the full range of blind and deaf portrayals on film, and here she deconstructs their impact, following common tropes through horror, romance, and everything in between. Part memoir, part cultural criticism, part history of the deafblind experience, Being Seen explores how our cultural concept of disability is more myth than fact, and the damage it does to us all.