For centuries, the southernmost region of the Florida peninsula was seen by outsiders as wild and inaccessible, one of the last frontiers in the quest to understand and reveal the natural history of the continent. Seeking the American Tropics tells the stories of the explorers and adventurers who—for better and for worse—helped open the unique environment of South Florida to the world. Beginning with the arrival of Juan Ponce de León in 1513, James Kushlan describes how most of the famous Spanish explorers never made it to South Florida, leaving the area’s rich natural history out of scientific records for the next 250 years. It wasn’t until the British colonial and early American periods that the first surveyors were commissioned and the first naturalists—Titian Peale and John James Audubon—arrived to collect, draw, and report the subtropical flora and fauna that were so unique to North America. Moving into the railroad era, Kushlan illuminates the activities of scientists such as Henry Nehrling and Charles Torrey Simpson alongside the dabbling of wealthy amateur naturalists. He follows the story to the 1920s, when tourism was flourishing and signs of ecological damage were starting to show. Years of wildlife trade, resource extraction, invasive species introduction, and swamp drainage had taken their toll. And many of the naturalists who had been outspoken about protecting South Florida’s environment had also played a part in its destruction. Today the region is among one of the most thoroughly studied places on the planet—but at a cost. In this absorbing and cautionary tale, Kushlan illustrates how exploration has so often trumped conservation throughout history. He exposes how much of the natural world we have already lost in this vivid portrait of the Florida of yesterday.

Seventeen marvelous essays introducing the habitats, ecology, plants, and animals of the Central and South American rainforest. A lively, lucid portrait of the tropics as seen by two uncommonly observant and thoughtful field biologists. Its seventeen marvelous essays introduce the habitats, ecology, plants, and animals of the Central and South American rainforest. Includes a lengthy appendix of practical advice for the tropical traveler.

"Picturing Tropical Nature reflects on the work of several nineteenth- and twentieth-century scientists and artists, including Alexander von Humboldt, Alfred Russel Wallace, Louis Agassiz, Sir Patrick Manson, and Margaret Mee. Their careers illuminate several aspects of tropicalization: science and art in the making of tropical pictures; the commercial and cultural boom in things tropical in the modern period; photographic attempts to represent tropical hybrid races; antitropicalism and its role in an emerging environmentalist sensibility; and visual depictions of disease in the new tropical medicine."--Jacket.

Biodiversity has been a key concept in international conservation since the 1980s, yet historians have paid little attention to its origins. Uncovering its roots in tropical fieldwork and the southward expansion of U.S. empire at the turn of the twentieth century, Megan Raby details how ecologists took advantage of growing U.S. landholdings in the circum-Caribbean by establishing permanent field stations for long-term, basic tropical research. From these outposts of U.S. science, a growing community of American "tropical biologists" developed both the key scientific concepts and the values embedded in the modern discourse of biodiversity. Considering U.S. biological fieldwork from the era of the Spanish-American War through the anticolonial movements of the 1960s and 1970s, this study combines the history of science, environmental history, and the history of U.S.–Caribbean and Latin American relations. In doing so, Raby sheds new light on the origins of contemporary scientific and environmentalist thought and brings to the forefront a surprisingly neglected history of twentieth-century U.S. science and empire.

The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.

Orchids of Tropical America is an entertaining, informative, and splendidly illustrated introduction to the orchid family for enthusiasts and newcomers seeking to learn about more than 120 widespread orchid genera. Joe E. Meisel, Ronald S. Kaufmann, and Franco Pupulin bring alive the riot of colors, extraordinary shapes, and varied biology and ecology of the principal orchid genera ranging from Mexico and the Caribbean to Bolivia and Brazil. Orchids, likely the most diverse family of plants on earth, reach their peak diversity in the tropical countries of the Western Hemisphere, including, for example, more than 2,500 species in Brazil and 4,000 in Ecuador. The book also highlights reserves in the American tropics where travelers can enjoy orchids in the wild. Whether you journey abroad to see these unique plants, raise them in your home, or admire them from afar, this book offers fascinating insights into the diversity and natural history of orchids. Beyond the plant and flower descriptions, Orchids of Tropical America is packed with informative stories about the ecology and history of each genus. Pollination ecology is given in detail, with an emphasis on how floral features distinctive to the genus are linked to interaction with pollinators. This book also features information on medicinal and commercial uses, notes on the discoverers, and relevant historical data. The easy-to-use identification system permits quick recognition of the most common orchid groups in Central and South America. Genus descriptions are given in plain language designed for a nonscientific audience but will prove highly useful to advanced botanists as well. Descriptions focus on external morphology, and great care has been taken to ensure the guide is useful in the field without reliance on microscopes or dissections. Equally valuable as a field guide, a desktop reference, or a gift, Orchids of Tropical America will make an excellent addition to any orchid lover’s library. Visit the website for this book at www.orchidsoftropicalamerica.com.

NATIONAL BESTSELLER "A profound book.... It will break your heart but also leave you with hope." —J.D. Vance, author of Hillbilly Elegy "[A] deeply empathetic book." —The Economist With stark photo essays and unforgettable true stories, Chris Arnade cuts through "expert" pontification on inequality, addiction, and poverty to allow those who have been left behind to define themselves on their own terms. After abandoning his Wall Street career, Chris Arnade decided to document poverty and addiction in the Bronx. He began interviewing, photographing, and becoming close friends with homeless addicts, and spent hours in drug dens and McDonald's. Then he started driving across America to see how the rest of the country compared. He found the same types of stories everywhere, across lines of race, ethnicity, religion, and geography. The people he got to know, from Alabama and California to Maine and Nevada, gave Arnade a new respect for the dignity and resilience of what he calls America's Back Row--those who lack the credentials and advantages of the so-called meritocratic upper class. The strivers in the Front Row, with their advanced degrees and upward mobility, see the Back Row's values as worthless. They scorn anyone who stays in a dying town or city as foolish, and mock anyone who clings to religion or tradition as naïve. As Takeesha, a woman in the Bronx, told Arnade, she wants to be seen she sees herself: "a prostitute, a mother of six, and a child of God." This book is his attempt to help the rest of us truly see, hear, and respect millions of people who've been left behind.