This work explores the legend behind Daniel Defoe's classic novel, visiting possible places where this famous literary character could have been marooned. It also re-examines the claim that Crusoe was based on a real life castaway, Alexander Selkirk.

They inspire feelings of great passion, serenity, and sometimes fear . . . they give people the opportunity to find themselves--or to lose their minds . . . they are revered as paradise or treated as junkyards . . . both haunted by and respectful of history . . . they are central to the myths and religions of many peoples throughout time . . . they provide a real, friendly community or the hell of repetitive social encounters . . . What is it about islands that has captivated millions of people around the world and through the centuries? In a penetrating, brilliantly written book that weaves sociology, history, politics, personality, and ancient and popular culture into one compelling narrative, Thurston Clarke island-hops around the oceans of the world, searching for an explanation for the most passionate and enduring geographic love affair of all time--between humankind and islands. Along the way Clarke visits the remote and silent Mas À Tierra, the island off the coast of Chile that inspired Defoe to write Robinson Crusoe; tropical Banda Neira, one of the Spice Islands, where its self-crowned prince hopes for nothing less than nutmeg's complete and glorious revival; sleepy, simple Campobello, the Canadian island where Franklin D. Roosevelt spent his boyhood summers; Patmos, with its imposing mountaintop monastery; Malekula, once the most notorious cannibal island in the world; and Jura in Scotland's Hebrides, where George Orwell wrote 1984--the island that turned Clarke into a islomane, someone Lawrence Durrell says experiences an "indescribable intoxication" at finding himself in "a little world surrounded by the sea." Despite colonialism and missionary conversions, wartime scars and shrinking coasts, islands have thrived. Though each island is unique in its own way, Clarke discovers that the islanders themselves are a distinct people-- tranquilized by their watery horizons yet sensitive to the first shift in weather, conservative yet more likely to drop their inhibitions because no one is looking. And over every island falls the shadow of Robinson Crusoe, persuading us that islands are more liberating than confining, more contemplative than lonely, more holy than barbaric because we have been "removed from all the wickedness of the world." In a stunning work of wit, adventure, and incisive exploration, Thurston Clarke brings a unique passion to dazzling life.

This work is an exploration in to the legend behind Danile Defoe's classic novel, citing possible places where this famous character could have been marooned. It rexamines the claim that Crusoe was based on a real life castaway, Alexander Selkirk. Describing the tropical locales and the practicalities of island life, the text brings the fictional and the factual together, along the way exploding some enduring myths.

Whether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained "One Art," Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written, "The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds ‘grand,' but is as quietly convincing as everyday speech."

This little book is the result of much experience in seeking to adapt the story of Robinson Crusoe to the literary attainments and educational needs of children in the primary schools... Those events in DeFoe's story that are of doubtful educational value are omitted; but it is believed that the child's interest in the narrative is not impaired thereby. The language is that of children, and Robinson seems to be telling his story to them.

This study contends that the main characters in Defoe's six major fictions represent a more profound anxiety and cynicism regarding the human condition than has been generally recognized. From Robinson Crusoe to Roxana -- each is engaged in a lonely and futile search for identity and significance, and each pursues that goal with ruthless singlemindedness.