In recent times, there has been a substantial push by people to escape the metropolis for lifestyles in small coastal, country, or mountainside locales. This book explores the narratives emerging from amenity-left migration using methods developed within the 'strong' cultural sociology.

Authenticity is taken for granted as an absolute value in contemporary life. We speak of authentic art, music, food, dance, and people. Authenticity, in its many guises, offers seekers a sense of belonging, connection and solidity. This work argues that the pervasive desire for authenticity is a consequence of a modern loss of faith and meaning.

In recent times, there has been a substantial push by people to escape the metropolis for lifestyles in small coastal, country, or mountainside locales. This book explores the narratives emerging from amenity-left migration using methods developed within the 'strong' cultural sociology.

Leading scholars in the sociology of migration, Michaela Benson and Karen O’Reilly, re-theorise lifestyle migration through a sustained focus on postcolonialism at its intersections with neoliberalism. This book provides an in-depth analysis of the interplay of colonial traces and neoliberal presents, the relationship between residential tourism and economic development, and the governance and regulation of lifestyle migration. Drawing on ethnographic fieldwork undertaken by the authors among lifestyle migrants in Malaysia and Panama, they reveal the structural and material conditions that support migration and how these are embodied by migrant subjects, while also highlighting their agency within this process. This rigorous work marks an important contribution to emerging debates surrounding privileged migration and mobility. It will appeal to sociologists, social theorists, human and cultural geographers, economists, social psychologists, demographers, social anthropologists, tourism and migration studies specialists.

From Henry Darger's elaborate paintings of young girls caught in a vicious war to the sacred art of the Reverend Howard Finster, the work of outsider artists has achieved unique status in the art world. Celebrated for their lack of traditional training and their position on the fringes of society, outsider artists nonetheless participate in a traditional network of value, status, and money. After spending years immersed in the world of self-taught artists, Gary Alan Fine presents Everyday Genius, one of the most insightful and comprehensive examinations of this network and how it confers artistic value. Fine considers the differences among folk art, outsider art, and self-taught art, explaining the economics of this distinctive art market and exploring the dimensions of its artistic production and distribution. Interviewing dealers, collectors, curators, and critics and venturing into the backwoods and inner-city homes of numerous self-taught artists, Fine describes how authenticity is central to the system in which artists—often poor, elderly, members of a minority group, or mentally ill—are seen as having an unfettered form of expression highly valued in the art world. Respected dealers, he shows, have a hand in burnishing biographies of the artists, and both dealers and collectors trade in identities as much as objects. Revealing the inner workings of an elaborate and prestigious world in which money, personalities, and values affect one another, Fine speaks eloquently to both experts and general readers, and provides rare access to a world of creative invention-both by self-taught artists and by those who profit from their work. “Indispensable for an understanding of this world and its workings. . . . Fine’s book is not an attack on the Outsider Art phenomenon. But it is masterful in its anatomization of some of its contradictions, conflicts, pressures, and absurdities.”—Eric Gibson, Washington Times

This book draws on social theories to understand lifestyle migration as a social phenomenon. The chapters engage theoretically with themes and debates relevant to contemporary social science such as place and space, social stratification and power relations, production and consumption, individualism, dwelling and imagination.

Global Injustice Symbols and Social Movements examines our collective moral and political maps, dotted with symbols shaped by political dynamics beyond their local or national origin and offers the first systematic sociological treatment of this important phenomenon.