Nicknamed "Euroville," Spartanburg, South Carolina, is a home away from home for BMW, Michelin, Ciba-Geigy, and numerous other European corporations. Enriching our understanding of what globalization means to millions of small-town, blue-collar Americans, Guten Tag, Y'all looks at Spartanburg as a model of how determined communities can shape and influence globalization to their benefit--and liking. "South Carolinians in general and Spartans in particular do not believe in revolutions or quick fixes of any sort," writes Marko Maunula. Portraying Spartanburg to be a highly organized, hierarchical community, Maunula shows how it retained much of its preexisting culture and many of its institutions as it transformed itself from a mill town to a global business headquarters. As Maunula discusses such topics as global currency flows, cold war politics, federal trade policies, technological advances, and the decline of the American textile industry, he profiles industrialist Roger Milliken, civic booster Richard E. (Dick) Tukey, and others who successfully "sold" their vision for Spartanburg both abroad and on the home front. Maunula also analyzes the complex cultural give-and-take by which multinational corporations are transformed from alien, nationally identifiable foreign business units into localized conglomerates. Guten Tag, Y'all is a multifaceted, engaging case study of international economic survival and success at the local level.

A window into the social and cultural life of the South Carolina upcountry during the nineteenth century The history of South Carolina's lowcountry has been well documented by historians, but the upcountry—the region of the state north and west of Columbia and the geologic fall line—has only recently begun to receive extensive scholarly attention. The essays in this collection provide a window into the social and cultural life of the upstate during the nineteenth century. The contributors explore topics such as the history of education in the region, post-Civil War occupation by Union troops, upcountry tourism, Freedman's Bureau's efforts to educate African Americans, and the complex dynamics of lynch mobs in the late nineteenth century. Recovering the Piedmont Past illustrates larger trends of social transformation occurring in the region at a time that shaped religion, education, race relations and the economy well into the twentieth century. The essays add depth and complexity to our understanding of nineteenth century southern history and challenge accepted narratives about a homogeneous South. Ultimately each of the eight essays explores little known facets of the history of upcountry South Carolina in the nineteenth century. The collection includes a foreword by Orville Vernon Burton, professor of history and director of the Cyberinstitute at Clemson University.

Racine's took him to the Library of Congress and the National Archives and to the homes and offices of many citizens of Spartanburg. Inside the pages of this book are the images of world-renowned photographers Dorothea Lange and Jack Delano and local professionals Alfred T. Willis, Harry White and others. There is a gallery of Spartanburg's mighty men and influential women, her colorful characters and earnest faces, her children at play and citizens at work. There are construction projects and demolitions, local triumphs and tragedies, boom years and hard times. Seeing Spartanburg traces Spartanburg's history from its beginnings during the Colonial period, through the boom years of the early twentieth century and the hard days of war and depression, to the dynamic growth of the present era. Filled with images that are often poignant, sometimes surprising, and always rewarding, Seeing Spartanburg is a visual record of the life of one Southern city.

Mary Black's Family Quilts includes a foreword by Michael Owen Jones, Professor of Culture and Performance, University of California, Los Angeles, and author of Craftsman of the Cumberlands: Tradition and Creativity.

With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.