From elegant Egyptian villas to sprawling Victorian mansions, people have built all sorts of different houses. With fabulous illustrations and fun flaps, you can open their doors and look inside.

Houses are built with many different materials, and in many shapes and sizes. Step by step, this picture book explains how homes are built—from the architect's plans through the arrival of a happy family. The many processes of construction are explained with simple language and bright, clear illustrations, perfect for kids starting to wonder about how the world around them works. Many different careers—including carpenters, plumbers, electricians, and landscapers—are introduced, each doing their part to bring the picture wood-frame house to life. A great read for kids who love construction sites, or who can't get enough of Building a House by Byron Barton. According to The Washington Post, Gail Gibbons "has taught more preschoolers and early readers about the world than any other children's writer-illustrator." Ms. Gibbons is the author of more than 100 books for young readers, including the bestselling titles From Seed to Plant and Monarch Butterfly. Her many honors include the Washington Post/Childrens Book Fuild Nonfiction Award and the NSTA Outstanding Science Trade Book Award.

Fascinating and unique, Wonderful Houses Around the World gives children a welcome entrée into other places and other lives throughout the world. Glorious two-page photographic spreads capture families outside their homes, be they simple or imposing. Detailed cutaway illustrations reveal the inside of each house, showing the various family members engaged in typical daily activities. Captions explain where each house is located, the environmental conditions that affect the house design, how the family lives in the home, and their possessions -- all providing interesting glimpses of life in other cultures. The ten houses profiled include a red mud dwelling with thatched towers in Togo, a yurt in Mongolia, a steep-roofed, shake-covered house in Transylvania, and a large donut-shaped communal building for 300 in China. This book increases children's wonder about and cultural awareness of the many different people and ways of life around the world.

The date is October 15, 1954. Thirteen-year-old Elizabeth, who lives in the Toronto suburb of Weston, is a typical grade 8 girl. She has a secret crush on a boy in her class and she thinks Elvis Presley is "dreamy." Elizabeth also has a part-time job babysitting an adorable little grade 2 girl named Suzie, and Suzie’s not-so-adorable grade 6 brother, David. Elizabeth’s job is to walk Suzie and David home after school and then stay at their house with them until their mother gets home from work. David resents Elizabeth because he thinks he is too old for a babysitter, and he goes out of his way to make life miserable for her. On this particular evening, however, Elizabeth has more than a badly behaved boy to contend with. It is on this October night that Hurricane Hazel roars down on Toronto, bringing torrential rains that cause extensive flooding. David and Suzie’s house is on Raymore Drive, a street that will be practically wiped out by the floodwaters. David and Suzie’s parents are unable to reach the house, which means the children’s safety on this most deadly of nights is Elizabeth’s responsibility. She finds herself increasingly isolated. They are surrounded by rising water. The electricity goes out. The phone goes dead. Still, Elizabeth is sure they will be safe as long as they remain in the house. But are Elizabeth and the children really as "safe as houses"? Before this terrifying night is over, Elizabeth and David will have to learn to communicate and cooperate if they are to save their own lives and Suzie’s. Their survival in the midst of one of Canada’s worst disasters will depend upon their resourcefulness, maturity and courage.

“Inside Texas: Culture, Identity and Houses, 1878–1920” is a 464 page book with 296 photos that tests and rejects the notion that Texas homes, like all things Texan, were unique and different. Over the 40 year time span covered by the book, decorating ideas nationally and in Texas went from the era of Victorianism with “all that stuff” to the spare, clean lines of the arts and crafts movement. By 1920, like Americans across the country, many Texans, especially the wealthier, were taking their decorating ideas from the new professionals – architects and designers – and their homes reflected less their own identity than the taste and eye of the decorator. In seven years of research, Brandimarte traveled the state, collecting photographs of interiors of Texas homes – rare in comparison to exterior views. The images reprinted here are arranged neither in chronological order nor according to decorating style but by identities –occupation, family, ethnicity, social group, region, culture and refinement, class and style. Brief biographical information about the homeowners is incorporated into the text. “Inside Texas” is about people and houses. It is social history, a significant contribution to scholarship, an invaluable resource for preservationist, docents, architects and designers as well as a book to be treasured by anyone who loves old houses.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

An introduction to the world of folk artist Grandma Prisbrey.